Angela Espinoza Rise of Dawn any musicians today find fame via Mes like MySpace, YouTube, and PureVolume. It’s a smart route to take, as long as you have a label to protect your music. So how do you gain a label without others stealing your music online? Rise of Dawn (ROD) is working on that same quandary. Lead guitarist Patrick Mihan and lead singer/rhythm guitarist Matt Di Pomponio are the original founding members of Rise of Dawn. Mihan had already learned bass and guitar through extensive training, while Di Pomponio’s guitar playing was self taught. They then searched for a drummer, and in came Nick Rusby. Rusby had only been playing for a few months, but proved to be a quick learner. It didn’t take long for this passionate trio of seventeen-year-olds to write their first song: “Dawn”, written as an introduction for the band for their audience and themselves. Mihan stated, “Every time I get together with the guys, my spine chills. We connect really well when we write.” The group has managed to complete almost 40 songs after being together just over a year, with many “personal experiences and political reasons” influencing their lyrics. The boys are picking out the best for an upcoming 2010 EP. ROD is generally influenced by Metallica, Lamb of God, Godsmack and Foo Fighters. Di Pomponio’s personal influence comes from James Hetfield, Rusby cites Dave Ghrol as an inspiration, and Mihan was originally influenced by KISS. Their guitar style is blended between Spanish classical and thrash metal. Mihan and Di Pomponio first performed together at the Port Moody Inlet Theatre on February 8. Since then, the group has managed to play at several other shows and locations, including Lougheed Town Center and the annual Burnaby’s Got Talent showcase. Reflecting on these experiences, Mihan states, “We learn something new from every show.” ROD’s first official concert is to take place on October 17 at the Queen of All Saints Hall. Details of the show can be found through their Facebook page, “The Rising of Dawn.” Tickets are $10 and can be purchased by contacting the band online. ROD is off to a strong start and will hopefully be around for a long while. However, the group is currently looking for a bass player. Details and contact information can once again be found on the group’s Facebook page. 14 What are you hosers laughing at? The Canadian Comedy Awards marks its 10" anniversary. By Angela Espinoza ( ‘oom is a very unique country. Compared to many countries, we're relatively young, yet we’ve managed to leave our mark on the world as exporters. From natural resources to generosity, we’ve participated in every peacekeeping operation since World War II. We provided the world with progressive rock band Rush... and we’re still waiting for our probably forgotten “thank you.” We’re not afraid to admit our mistakes: The Canadian Government has apologized for Bryan Adams on several occasions. Finally, I cannot forget one of our most important exports: comedians. The 10" anniversary of the Canadian Comedy Awards (CCA) took place from October 1-4. This ceremony has provided many talented Canadians with the recognition they deserve. The awards focused on what’s considered to be the créme de la créme in Canadian live performances, television shows, films, radio, and (recently) internet videos. In the Live category, the Male Stand- Up Award went to Jeremy Hotz, while Female Stand-Up award went to Debra DiGiovanni. Stand-Up Newcomer went to Nathan MacIntosh, a fresh face with many followers on websites like Facebook and MySpace. The award for One Person Show went to One Woman Show, written by past winners The Shehori Brothers; starring Marco Timpano as Eileen, your stereotypical, overweight woman. Sketch Troupe went to Second City, a constantly changing group of thriving comedians (such as Dan Aykroyd, Chevy Chase and Stephen Colbert) who produce “political and social satire.” Meanwhile, Improv awards went to Impromptu Splendor (Troupe), Kerry Griffin (Male) and Jan Caruana (Female). Finally, the CCA for Comedic Play or Revue went to Barack to the Future, a comedic play created by the Second City troupe. The Television category was significantly less packed, but those nominated earned their rightful place. The awards for Taped Live Performance and Writing went to Ron Sparks for his stint on Comedy Now. Direction went to Adam Brodie and Dave Derewlany for the “Jon Gets Haunted” episode of The Jon Dore Television Show, which also won for Performance by a Male (Jon Dore). Performance by a Female went to Wendel Meldrum for her role as Anne Blecher on Less Than Kind; which also took the award for Performance by an Ensemble. Three of the four awards for the Film category went to Young People Fucking, a self-explanatory film in five parts. Peter Oldring won Performance by a Male for his role as Dave, Martin Gero won for Director and, with Aaron Abrams, for Writing. Performance by a Female went to Samantha Bee for her role as Nancy Cooper in Coopers’ Camera. The Radio, Internet and General Media awards were decided upon through the people’s choice system via public voting. The CCA for Radio went to Zen Hokey Pokey, created by Joe Bird for The Irrelevant Show on CBC Radio. Meanwhile, the Internet award went to a web clip titled Violator. What should come as little surprise was the winner of the General Media (a.k.a. Comedy Person of the Year) award: Seth Rogen. All in all, the turnout for this year’s ceremony outranked past events in number of attendance members. With the four-day event running an array of twelve performances by several nominees, the build-up for this year’s crowed was no doubt exhilarating. This was one of the few award shows that offered up a clean and fair fight, and I congratulate all those nominated, and—more so—all those that won. Jeremy Hotz and Debra DiGiovanni