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page 10

Passen

Are you one of those people who
lean over the railing on the third and
fourth floor staring down into the
concourse? Come on, admit it. Put up

by JOEL HAGEN and
DAVE WATSON

your hand.

Well now that we know who you are,
what’s your problem anyway? Did you
have an unfortunate childhood? Are
you doing a report for your abnormal
psychology class? Are you trying to
score? Ah-hah! So that’s what you’re
doing up there.

What we see everyday up against
the rails is a prime example of the
‘pigeon effect.’’ In the caf we have
the ‘‘seagull effect,’’ where people
gulp down their food really fast. In
fact, they eat before they taste. The
pigeon effect is just the opposite,
if you catch my drift.

But the burning question, the
underlying problem, is who gets to
stand where? Are the yummy froshies
limited to the stairs? Should people
who yell ‘‘where’s the beef?’’ be
banned to garbage cans? Should the
railings be removed to prevent wan-
dering gazes from wandering past
acceptable social conventions?

 

Wouldn’t it be neat if the College had
little electric golf carts to drive around
in, making the whole process more like
cruising?

Melee Shige est 5 aot oe
there's

When rich, eccentric

into the body of

rove by PATRICK WALLIAMS, ascooate odecee PHIL
Breed by CARL REINER

bsSriM ss Meet Met ets By let en torte

PIU letcw Me me wt tm eerste .er gle et

But due to a cosmic error, she's taken over the entire
rignt side of Roger Cobb, instead.

Now, he's losing his job. He's losing his girlfriend.
Pett cB ei eet Re Gt setae Ot ya eck

So ee aa Natt

 

The comedy that proves
that one's a crowd.
AKINGS ROAD,'STEPHEN FRIEDMAN roger 4 CARL REINER Fin “ALL OF ME”

Sorin RICHARD LIBERTIN| [a VICTORIA TENNANT oe to
fored on he navet METWO by ED DAVIS adaptation by HENRY OLEK screenplay by PHIL ALDEN ROBINSON

THE OTHER PRESS

gers up on D.C. Rail

   
  
 

Have you ever noticed how the
elevator is never stopped at your floor
when you want to get on? Speaking of
elevators, did you know that the
fastest way to alternate between being

ind every great man
a woman.

Edwina Cutwater died,

a deautifal woman.

ALDEN ROBINSON fscces by STEPHEN FRIEDMAN

SEM FONTS He,

 

Opening

 

details

September 2 1st, 1984

Check your local listings for

 

 

 

a spectator on the fourth floor and a
contestant in the floor show, is the
north elevator, not the south? The
north elevator really moves. On the
other hand, if you really, really want to

 

These

| frosh-watchin
| students triec
| to pretend

| they were

_| socializing

even their
- acting ability
» cannot cover

. true intentior

 

get from the fourth down to the se
really fast.....

Do it! It will give me somet
better to write about than all the b.
who lean against the rails.

Rock’n roll

Now that | have your attention, I’d
like to make a proposition to all of you
out there who actually take the time to
read this paper. What | want to find

by STEWART WOOLVERTON

 

out is how many of you out there
(yes, you with the funny pants on, too)
are involved with extra-curricular
bands or other forms of musical
recreation, whatever they may be.

Take note, however, that | am.not
just addressing the music students of
the college. | want to talk to you
whether you're in Nursing, Business,
Science, A.B.E., or (gasp) even
Performing Arts.

My intention is simple: to give
yo arg to student bands that would
otherwise miss out on the limelight.
Whether large or small, I’d like to talk

to you about your members,
sound, your equipment, and
goals for your band. After that, I \
it all down, and you get your nam
in lights. Free publicity. Sounds ¢€
doesn’t it? It is.

To get in touch with me, drop a
or come in to the O.P. office down
in the dungeon;room 1602, or p
me at 525-3542. If this works, we
finally have some news about
people at the college are c
musically, instead of having to re
all this commercial(bleep). Who r
cares about Olivia Neutron-Bo
new album, anyways?

P.S. You don’t have to be a
band, either. I’m willing to talk <
anything from Russian Countr
Western to Antarctic Chamber N
or even Albanian Disco. Hope to
from you soon.

Aussies create another film gem

Australian films playing at the
Ridge are one of the most consistent
“‘best bets’’ for the import film fan.
The Clinic is no exception.

by JOEL HAGEN

 

 

Challenging a rather taboo subject,
The Clinic focuses on the staff and the
patients of a V.D. clinic.

Against the backdrop of today’s
favourite media malaise, The Clinic
plays on people’s uncertainties, fears,
and preconceptions about venereal
disease. Amongst the patients, there
are first-timers(‘‘you mean it’s just a
pimple’’), and the more experienced
types. The doctors are equally diverse,
and some even share the same sexual

preferences as those they treat.

A combination of comedy
drama, The Clinic works becaus
the quality of the writing. Screenw
Greg Millin actually worked in a
clinic, and his experience contrit
immensely to the believability o
movie.

Although very funny, The Clin
tinged with a heart-rendering sadr
This makes for a combinatior
entertainment and education.| le
ed something about the people,
cures, and the unfortunate stign
V.D. but | also enjoyed the movie i

The Clinic is now playing at
Ridge theatre. Showtimes are 7:3(
9:30. Better hurry - it won’t last |