— Arts and Entertainment WENEY ) ih N@THING IND yu A do-it-yourself graveyard scavenger hunt by K and A K: Here we are Harolding in the graveyard, and though there is no straightforward sense of art in this yard, I like to consider graveyards as eter- nal exhibits of death. It may sound sacrilegious, but when you think about it, headstones are the last memento that we leave on earth—if that’s not art, I just don’t know what is. A: K, you are wise beyond your years that still mount. There is so much life here in the grave- yard tonight amidst our scavenger hunt (suddenly I realize that this whole thing is so Scooby Doo). We’ve just taken a dozen or so of our closest friends and set them loose upon a dark graveyard in search of: 1) The youngest death. 2) The person who lived the longest. 3) Someone born on your birthday and some- one who died on your birthday. 4) Someone born on today’s date and someone who died on today’s date. 5) The best epitaph. 6) The most tragic headstone. 7) The largest family site. ' 8) The most haunted grave. 9) The strangest name. 10) The person with the name closest to your own. I hear my friend laugh blocks away, and wonder es this place isn’t crowded with others like ...Harolding around (sorry to step on yout toes, K): K: Um, no problem, A. I’d forgive just about anything right now. I just moved an unlit candle from a headstone while you were writing, and I feel a bit faint. After that, in a brave, heroic effort, I ventured forth into the darkness and found someone who was born in 1876. Besides the fact that they’re dead, the idea that someone who was born more than a century ago is lying below the earth that I stand on is surreal at best, fucking horror-movie creepy at worst. A: Yeah, I just saw a grave of a woman born in 1901, died in 1986, next to a completely blank headstone. There is a place here waiting for whom? Where is this guy that she’s waiting for? What is he doing now? Is he coming (or going) BOX OFFICE: 604-523-2877 OTHERPRESS Burr Theatre, in the days left to watch af tivating. The an invigorati distress, a vampire-slayer, blood and they don’t fail to impress. Set at Dr. Seward’s “Home tor Jonathon Harker (Jason E failing career with a blockbust who depends on his stars Lue CHS TR i yduction that pleasantly skews ihe convention- al tale, mixing in film noir, mystery, and comedy, while still adhering to what makes all dramas work——compassion and fear. The traditional story of Dracula—i attfully complicated by a dream s detailed script. The show’s Success formances of the ensemble cast.a (Dean Wunsch) to deliver perfo: creepy asylum. Mina Holmwood (Kerri Ni and Lucy, fearing that she’s next, hires Detective Abe ng (Murray Price). To make matters worse, Renfield (Mark Carter), a EF at all? Also, this is the grave of zombie key #1...holy cow. K: Seriously, there is an actual zombie key in this yard. If you turn it they will come. (Christ, that’s the second. time that I've referenced. Field of Dreams.in thtee days—I have a problem.) " (Pause for some rough but bisa apeeding on the grass.) A: So all in all the scavenger hunt may not have been successful: (I didn’t find anything from the list) and now I feel bruised and broken. But I’m leaving the graveyard full of Spiele K: Bpinhatien can be strangely bemiiift in the yard of the dead. With a mission to disturb me, Simon Paul Little led me to a colourful grave that held two babies under the ground. I stared at the little stuffed bears, elephants, and flowers that decorated the headstones as Simon told me that he once saw the parents of the deceased watering the soil that grows their children. It shouldn’t scare us, but it does. Did you see the neon cross that glows into the graveyard from across the street, A? A: I must admit that there was so much going on that I missed the glowing cross, but I did feel it. The whole place glows with absence and the grief that it carries. K: While the load of us bumble our way out of the graveyard and into the streets, I wonder what exactly the glow of absence looks like. I know the answer, but not with my eyes. On a si made him a cinema estminster’s Raymond death, a damsel in azed sidekick—is eral asides, and a the talented per- ctor, Ellie King, strength. Octaber 27/2004 I" A BL@CDLETING PER crazed patient, frequently crashes the produg ful Lucy, Dracula’s (Matthew Spears) unsusp The performances are engaging. Most nd Mark Carter, as his performance almost ste eyed and leering throughout the play, it is evi playing the lunatic. Whenever he appears o rally drawn to him, cutious as to what he’ll s “T have creepy eyes,” Carter says to me aff he is frequently cast as the crazy or the vi Although he confesses he has.a hard time nf ability to act and transform into his chard The screaming, fainting, hoity damsel i Kardum. Her performance shouldn’t be u audience. She plays Lucy brilliantly. Kardun ting is purposeful and designed to r 1 s. Her character is mul lighter note, Bro house party and q Brother Adam ar the random ho hands and paper may not be the damn, we sure dd A: In closing, be living, I must a causing raucous { one of the most long time (certai a word of war respects and mal stirring up shit. minority. We’ve never know, Mic you—it could be every oby ieee fast-talking, attentio