issue 25// vol 47 arts // no. 11 Superstore 1s a super show » After six seasons, ‘Superstore’ hangs up the vest Craig Allan Business Manager keen ast Thursday saw the series finale of Superstore. For the average audience, it’s understandable if the ending of this wonderfully relevant show was lost on the average viewer. Superstore was always a widely praised comedy for its portrayal of life in the bowels of a department store, but in the era of cable and streaming, it’s easy to miss this hilarious show toiling away on broadcast TV. For those who don't know, Superstore was a show about workers at a department store called Cloud 9, a store that no doubt takes some inspiration from another blue clad, all encompassing department store. Throughout each episode, the staff of Cloud 9 would have to deal with the barrage of problems and disrespect that comes with working for a large conglomerate. If that makes the show sound like The Office, that may be because the creator, Justin Spitzer, was a writer fora majority of the show’s run. Episodes that showcase the trials the store had to go through involve plots like “Lottery” where the employees contact head office for raises, the company instead sends management their protocol for these type of questions, which involves a program that teaches employees how to make a budget. There is also the episode “Essential” which shows the employees dealing with the onslaught of COVID-19 y ers Only from rude customers to the store sending them personal protective equipment, which is actually just riot gear to deal with the Black Lives Matter protests. lalways liked Superstore mostly because as someone who had gone through two years of Target’s unsuccessful run in Canada, I get a lot of the feelings of abandonment felt by the employees towards the store’s higher ups. The show was one of the reasons I decided to get a job at the Walmart that replaced the Target I worked at. I thought I could have a laugh at my circumstances being similar to theirs and get to appreciate the show and my own work situation as | recognized how similar they were. How wrong I was, because when I think back on it now, the only thing I A transcendent celebration of R&B, soul, and crucial humanity » Jon Batiste’s newest album ‘We Are’ enriches us with universal meanings about the world and ourselves Jonathan Pabico Senior Columnist usic extraordinaire Jon Batiste is known for his work in the Pixar film Soul, and as the enthusiastic piano sage from The Late Show With Stephen Colbert. As soon as his titular first track begins, Batiste transports viewers to an odyssey of style and charisma with his recent R&B album We Are. The playlist is a sublime art piece that takes listeners to a place of sophistication and comfort. First and foremost, the collection is wondrously eclectic. Batiste takes his tracks to diverse avenues where he gleefully melds genres with playful melodies or passionate sultry. Every arrangement reflects his child- like eagerness, youthful energy, and most of all, his love for all things R&B. For instance, the fast-paced rap, lively R&B, and electronic tones of “Whatchutalkinbout” is followed closely by the trickling piano riffs of jazz piece “Movement 1.” The subversive variety and genre surprises make you excited for what else Batiste has up his creative sleeve. Batiste also allows us to breathe during the short audio recording “Mavis” that unveils the value of freedom before moving on to the rest of the album. With experimental choices like these, he enables his beliefs to seep into our minds gracefully. What Batiste does best aside from his music are the life lessons he passes on to oe * a Promotional image for ‘Superstore’ remember about my experience at Walmart is crushing sadness. Talso liked Superstore because I have always been a fan of underrated, long shot gems. Considering Superstore’s episode order was cut before the show even started aired, and the show was a mid season replacement, it had a tough hill to climb. But climb it did, becoming one of the most popular shows on network TV, and being a steady ship in a struggling comedic sea at NBC. It got to the point where at the end of the 2019-2020 television season, the show’s fifth season was the only half-hour comedy show that was renewed by NBC. Despite the fact that Superstore did have its fans, it never seemed to garner the same amount of love that its similarly bh iL JON BATISTE his listeners. He uses lyrics like “room for us to grow” and “I pray that you help us not to fight / And to get along” from the track “Adulthood” to advocate for peace, respect, and being open to learn from each other. The song’s relaxing mood with Batiste’s soft vocals emphasize how vital it is to practice these qualities and embrace what it means to bea better person. The playlist also addresses how much our lives can be affected by the world’s unresolved pain, sorrows, and hurts. The song fittingly titled “Sing” has lyrics like “When I’m down and I feel like giving up / And even the easy things feel rough / Don’t you know, I'll sing.” However, the piece ironically uses uplifting harmonies, jaunty choruses, and enveloping falsettos. premised predecessor The Office did. It’s a shame too because I think the show is in a way more relatable than The Office. Not everyone has worked in an office, but everyone has gone to a department store, or seen a terrible customer berate a staff of low-wage workers just trying to do their best. Superstore was the slice of life of people who most people see on a weekly basis, abundant, but rarely represented in a major way on television. Could Superstore had gone on for more seasons? That question is hard to answer. Season six saw the departure of star America Ferrera but the show seemed to be bouncing back from it; not missing a beat without Ferrera’s Amy who was always more of a straight woman character compared to the others. The show’s cancellation seemed to come out of nowhere, because it felt like there were so many more stories to tell, especially considering the pandemic gave so many new story opportunities for the often overlooked profession. Who knows if Superstore will one day achieve the bingeable re-watch status of its predecessor. All that can be known is that Superstore was one of the most relatable sitcoms ever put on television and considering the culture that occurs at Wal-Mart these days is likely to continue for many years, Superstore will no doubt remain a culturally relevant piece of television for a while. Cover of 'We Are' by Jon Batiste Batiste proves how self-aware he is about the ways negative feelings within us can impede our passions. Yet, his lyricism for “Sing” or any other track also supports us in finding the strength to keep going. The album leaves you with an immense feeling of hope and emotional power. Each track teaches us about the values that equate human goodness and staying aware of current issues. Batiste lends every note, lyric, and solo a zany playfulness that conveys how much fun he is having in his musical element. We Are isa palette of R&B delight that offers something special for anyone bold enough to be swept up by its soulful beats.