issue 24// vol 45 Eh Rw AA CO Glowing fists pack more than a punch » ‘Captain Marvel’ film review Sonam Kaloti Arts Editor ke KRk YY aptain Marvel is the powerful female hero everyone was waiting for, but the movie is stranger than expected. Released on March 8, Captain Marvel features Brie Larson as Carol Danvers (Captain Marvel), alongside Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, and Jude Law. Set in 1995, it follows Danvers through her origin story ina time-jumping manner as she navigates an intergalactic war between the Kree and Skrull alien races. (Some spoilers ahead!) The Stan Lee tribute intro at the beginning of the film is beautiful and emotionally charged. His cameo in the movie is also wonderful, and the way Danvers and Lee simply smile to one another makes for such a strong image. The character of Danvers is somewhat flat, presumably because we learn early in the story that she is learning how to control her emotions. Like Twilight's Bella, Danvers seems distant and honestly quite dead when really, she is probably just in her head alot. That detachment is a shame to see, but when she does have dialogue it’s strong enough to make up for her aloofness. There are tons of tongue-in- cheek jokes and pop culture references throughout the movie. On one hand this is an amazing way to showcase Danvers’ sassiness and considerable ego, but on the other hand the witticisms seem unnatural and rather forced. Throughout most of the film, Danvers is something of a lost puppy looking for where she belongs and who she really is. Having not known her true identity for so long, she is filled with regrets from her newly constructed life of being a Kree warrior. Once she does learn of her true abilities, however, she is an unstoppable force—so unstoppable that the movie fails to address Danvers’ Achilles’ heel. This takes a toll on the film because viewers just don't feel a sense of anxiety that they might have experienced if Captain Marvel had a chance of failing. Against unfathomable, spaceship-destroying glowing fists, no enemy seems to stand a chance. In many of her comic appearances, Captain Marvel is known to have succumbed easily to mental manipulation and brainwashing. Although this is true at the beginning of the film, she seems to overpower this weakness as well. Some other characteristics from her comic book character also have yet to be explored, which suggests Avengers: Endgame will be an exciting opportunity to learn more. One standout character in this film is Goose, the cat. Goose is an incredibly integrated and dynamic character for being just a cat (or so you think). Four cats were used during filming to portray Goose, and the cat steals every scene it’s in. Most notable is the scene where we learn how exactly Nick Fury loses his eye. It is an unexpected yet terribly amusing plot point to have added, especially due to Fury’s (now bittersweet) love for the cat. Captain Marvel does touch base with many important societal issues we face today. Refugees and women are two minority groups we get to follow throughout their strife. The Skrulls, we find out, plan to obtain a lightspeed engine that will allow them to finally escape from the ruthless targeted attacks by the Kree. The scheme is an awfully sad and desperate plan to be free. The movie also highlights a few issues women face, such as catcalling and being given lesser work roles. In my opinion the film could have navigated greater and potentially psychologically deeper matters here, especially considering that Danvers had been in the Air Force. Nonetheless, Danvers’ responses are always empowering and she never lets setbacks keep her down. Whenever knocked down, she gets back up, which is a positive message to send to every little girl who watches the movie. Once she embraces her full potential she goes head to head with her previous Kree YouTube music video classics: Ariana Grande’s ‘thank u, next’ » A tribute to early 2000s cinema Jerrison Oracion Senior Columnist Ariana Grande’s recent album thank u, next is still one of the top albums in terms of sales. One highlight of the album is the title track, which is my favourite song on it. The music video of this song, directed by Grande’s regular collaborator Hannah Lux Davis, not only references Grande’s former boyfriends but also some references popular films of the zooos—with a few surprise guests from that era. These films are part of our generation. Out of all the films that were referenced, I have seen three of them. = th yp * wu c + x c 6 < r The opening scene of “thank u, next” shows people gossiping and it alludes to ascene from Mean Girls (2004). It includes an appearance by Troye Sivan. The scrapbook that we see in the video has actual pictures of Grande’s former boyfriends if you look very carefully. The Mrs. Claus dance scene from the film is also referenced in the video and Kris Jenner filming the performance may bea reference to the famous “You're doing amazing, sweetie” moment. While it might seem like Lindsay Lohan appears in the music video, she is not actually in it. The video next references the cheerleading classic Bring It On (2000), which includes Matt Bennett reprising his role as Cliff from a previous Grande music video. There is a small reference to 13 Going on 30 (2004), the romantic comedy starring Jennifer Garner, when Grande drops off a dollhouse in front of a mansion. There are a lot of references to Legally o > c o = & o a] Q a v . 5 “ wv a oO £ I c 3 p 5 E 5 c a — trainer, to whom she says, “I don't have to prove anything to you.” Overall the movie may not be everyone’s cup of tea, but it is worth watching. Carol Danvers is not explored as much as she could have been in this film, but that leaves room for much more development in later installments of the Marvel Cinematic Universe. If there will be more Goose, I will be there. Blonde (2001) including Elle’s dog, the Macbook that she uses which brings back memories, Jennifer Coolidge (who appeared in a lot of movies in the 2000s) reprising her role as Paulette, the “bend and snap” move, and the UPS man. The license plate on Grande’s car reads “7 Rings,” which is the title of another hit single from thank u, next. The beauty shop scene might also be a reference to Beauty Shop (2005), and Grande’s brother Frankie Grande can be seen as one of the stylists in the shop. Some of the other people seen in the music video include Mean Girls stars Jonathan Bennett and Stefanie Drummond, playing their original film roles in the video, and Grande’s former Victorious co-stars Elizabeth Gillies and Daniella Monet. It’s avery fun music video and after you watch it, you might like to rewatch the films that were referenced in the music video.