Bards and buffoons on the beach Bard is the closest thing we’ll ever get to Shakespeare in Vancouver By Jay Schreiber, Arts Editor Kitsilano beach yearly for a celebration of Billy Shakespeare’s plays. This year was no different, and with record-meeting attendance and several plays to choose from, Bard on the Beach is consistently a culturing night of pleasure. Christopher Gaze, artistic director, actor and creator of the Bard has failed as an actor in England, or at least that’s his reason for moving to Vancouver and starting this organization. Starting in 1990 with a performance of A Midsummer Night's Dream, the programme has become bigger, better and more inclusive. Now, after 20 years and hundreds of performances, Gaze can finally add success to his resume. In addition to nightly performances, “Billy’s Beach Party” also offers day camps for children who learn and perform Shakespearian plays as well as receive coaching from veteran actors. The organization also caters to promoting the arts and specifically local playwrights, fF 0,000 Vancouverites make their way to performers and people in the industry. For example, on the night I was there, $5 from each ticket sold went to support out of work actors in the Vancouver area. This year’s line up contained four of Shakespeare’s plays. The comedies were All’s Well that Ends Well, and Comedy of Errors, two of Shakespeare’s lighter scripts. Drama was to be found as well at the festival in Richard I] and the tragedy Othello. Two tents set the stage in the evening, a 300- person main stage and an intimate 125- person studio theatre. This year’s headliner Comedy of Errors is a wonderful play of misconception amongst twins and integrated lives. If you were in Grade 9 English, you should know the gist of this one, so I won’t waste ink boring you with storylines. On a whole, the play vas fantastic, yet somewhere along the line I could swear Shakespeare vacationed in Hollywood... The audio was quite prevalent with constant slapstick reminders from the sound guy and the ideology of “assisted” performances was picked up along the way. Rehearsed improv was added for comedic effect and audience involvement is to be expected. It’s hard to get 10 men dressed in tights reciting poetry on stage and not expect to get a gaggle of gay comments from the audience; those too were at a premium. Pop culture references went so far as to include the soundtrack from The Twilight Zone, and even two musical numbers written by The Doors. In the ‘60s the Doors (a.k.a. Jim Morrison) protested the use of their music in commercials, so every time the words “come on baby light my fire” are uttered in a non-Doors setting, it’s enough to make my stomach cringe. The biggest complaint about this year’s festival was the crowd at the event. For the love of god, would somebody please inform Vancouverites on how to behave at a theatrical performance? It is not okay to talk and eat obnoxiously during the performance. It is not okay to take pictures and answer cell phones while paying attention to the stage show. I bite my thumb at audience members who were getting up and walking around during the show and didn’t even know when the right time was to applaud was. I felt so bad for the actors that after the show I went to seek them out just to apologize on the crowd’s behalf. Shakespeare himself had a brief cameo on stage and that managed to shut people up for a few minutes before continuing to play games on their iPhones. In years past, the performances have been more geared toward the classic Shakespeare with little variation from the ones we all suffered through in high school. However, the last decade has shifted gears and made the plays more crowd friendly, and the audience more casual. I suppose blending artistic mediums such as 16" century literature and 1960s stoner music isn’t the worst thing in the world, but people come for Shakespeare not a psychedelic freak out. Shakespeare is still kickin’, there’s no doubt about that. Catch Bard before the end of September before it goes away until next summer. 16 v. Fyeron> oe WE Lalante Se & bein Sesto Enter+to win $2500! WE'RE LOOKING FOR GREAT IDEAS TO PROMOTE SUSTAINABILITY. The No Go Low Flow THE LOCK ON THE TOILET TO SAVE WATER ISN’T ONE. The issues of sustainability, climate change and energy conservation affect us all. And at BC Hydro, we believe the agents of change for tomorrow are the youth of today. So, if you're between 13 and 24 and have ideas about energy sustainability, we want to hear them in an essay or video. You could win one of four $2,500 prizes! Tell your friends about it and they can vote for you online! VISIT INVENTTHEFUTURE.CA BChydro powersmart