Red Het Chili Peppers w/ Mars Volta, September 14 (GM Place Orange Hot Hailey McCarthy-Goode, OP Contributor of the most interesting live musical acts joined together Thursday in a portrayal of where rock came from and e it is soon to go. The veterans of funk and roll, the Red Chili Peppers, delivered a sound performance while The Volta, conversely, delved into their fresh new tracks with charisma. vith the new release of The Mars Volta’s sophomore stu- lbum Amputechture the set list was profound and varied. t set encompassed so much more than music, it seemed theatrical in a way. The band used their unique textures to join old songs with new songs by creat- ing musical interludes to form a continual hybrid of fan and band favourites. The Volta, led by Cedric Bixler Zavala and Omar Rogriquez- Lopez, infused their show with charisma and an undeniable mix of technicality and originali- +h seemed to ooze from their instruments : aa A and their bodies. Cedric’s stylized dancing, which i , me rs i iInciudes CONVUISING, have come to elaborate on in their own ways, as seen at many underground concerts. If you were to look in the dictionary under the word “Freaky Styley” you would see the faces of the four members of the Peppers. However, Thursday night was not their great- est display of the funk we all know can be inside them, or used to be at least. It’s understandable that the Chilis have passed the pinnacle of their musical careers, with millions of fans, over ten albums and countless hit singles. With the abun- dance of practice over the years it was expected that they'd tock the socks off the sold out show at GM Place, bur deliv- erance did not come. Their segment of Thursday night's show, however, did deliver an expertly designed light and image show which had reputedly never been seen in North America before that night. Regardless, the sparks and magnetism just weren't there. John seemed extremely distant from Flea and their duets were few and far between. Stage chemistry between the four mem- bers seemed to be falling apart, every piece in their own little world. The band seemed somber, and their set list included many of their less-uppity hits, only lightly touching on their old funky days with “Me & My Friends” and “Give It Away.” The Peppers played a safe set of songs mainly from By he lay and their recent double disc Stadium Arcadium. Surprisingly, they played a track called “Don’t Forget Me” which turned out to be absolutely epic. The highlight of the Peppers set was when John Frusciante melodically sang a miraculous cover of Simon & Garfunkle’s “For Emily, Whenever | May Find Her.” A tear-jerk Eee Seseiie.<] cosaeamisieeney! clapping, xut soon could not avoid the call. They encored with “Give [t-Away” (the funk element) and an absolutely phenomenal hwenty minute jam session which wel- comed Omar Rodriguez-Lopez to the stage. Unfortunately, this left Tony Kiedis (frontman of the Peppers) to stand idly and watch. Flea danced and played by himself. Frusciante and Rodriguez-Lopez were absolutely enthralled with each other and matched perfectly, but this showed the Mars Volta was still the spotlight of the night because they brought back the heavy weight charisma stealer, Rodriguez-Lopez, who finished the evening with a supersonic riff from his scarred guitar.