Soleil’s Vancouver Poetry Slam Friendly competition makes for a weekly tradition ee ial a - Insufficient (funds: Qi vaios *m fascinated at how many different subcultures can exist in this city without even the faintest hint of them reaching the mainstream surface. It seems like every other week I am being freshly exposed to a different recurring event that I had never even heard of before, but in reality is already celebrating its fifth year anniversary. Compared to many, I’m no more than a newborn fawn when it comes to the poetry scene in Vancouver, but already I feel right at home and a great deal of credit for that goes to the Poetry Slam held every Monday night at Cafe Deux Soleil. — I used to automatically associate poetry with images of sombre candle light and constant crying, but thankfully that’s not the general case. Sure, expression is a huge component, but my _ favourite pieces are always the ~ ones that bring’a smile to my face and a chuckle to my throat. Luckily for me, there’s a healthy amount of both found at the weekly Poetry Slam. Two of my favourite pieces were one about a squirrel who preferred to have interspecies relationships and a haiku about flight attendants performing oral sex (in English, then in French). Every evening is composed of twelve contestants competing in three rounds, with the number of performers and their allotted time diminishing with each round. The poets must perform original pieces and cannot include props or music, which means more emphasis is put on the deliverance and context as opposed to presentation. Since the judges for the evening are == Jacey Gibb opinions editor YY simply people selected from the audience who are handed scoreboards, it removes a sense of formality and replaces it with a homey charm. Plus, when the prizes usually consist of old VHS movies, you know you’re in the right kind of place. A problem I encountered the first few times since I’ve © attended the Slam was the feeling of being overwhelmed. It seemed like everyone was already familiar with the majority of performers (turns out there are quite a few weekly regulars) and it seemed like everyone knew what to say and when to say it (a few examples would be it being acceptable to loudly boo when a judge delivers a low score or, if the poet gets deducted marks for going over the time limit, reciting in unison “You rat bastard! You’re ruining it for everyone! But it was well worth it!”) Upon first interpretation, the vibe comes off as cliquish but this is misleading, as it’s merely signs of well established traditions. The audience is compromised of a healthy balance between regulars and rookies and once this realization sets in, it becomes easier to join the borderline obnoxious belittling of a judge who gave only a 6.7. The event starts at eight o’clock but I’d suggest getting there around seven if you want a good spot or if you want to sign up to sling some of your own signature zingers. Damage: $6-10 (sliding scale) 13