If albums were presented visually By Jerrison Oracion, Senior Columnist A visual component has started to become a bigger part of music albums than it used to be, as nowadays some releases include a music video for every song. All of the music videos in the album can be related in a way to show a theme or create a story that would be very much like a movie. Beck’s album The Information was one of the first albums to have a visual for the whole album, which not only came with a customizable cover with stickers, but also with a visual DVD. Then, the visual aspect of an album went mainstream when Beyoncé’s two recent unannounced albums came with visuals: Beyoncé (2013) and Lemonade (2016). The visual of Lemonade is a 1 hour and 30 minute epic that talks about race relations in the United States. Just like the album, it aired unannounced, showing on HBO before being put on Tidal. During Beyoncé’s acceptance speech after winning the Grammy Award for Best Adult Alternative Album for the album, she called it a film more than an album. There are also other recent albums that have music videos for some songs, but could have them for the other songs of the album as well. The visual of The Weeknd’s recent album Starboy (2016) would look like a 1980s science fiction film and the visual of Ariana Grande’s recent aloum Dangerous Woman (2016) would be about feminism. But what would happen if other aloums were also shown with a visual? Views See eee me aeA0 hI stem B)¢-1-<-) Jerrison Oracion, Senior Columnist If this album were a complete visual, we would see Drake walking around his hometown of Toronto. It would be raining in the city, so thunderstorms would be likely to occur. We’d see Toronto from various views including Yonge Street, a window in an apartment, the top of a building, a club, and Drake’s car as he drives through a major street in the city. When he gets to specific areas, he remembers a certain memory in his life and we’d get to see that through flashbacks. During one scene, he’d pay homage to a road that he often walked and he’d talk about all of the things that he did with his friends on that road. Next, we’d see him going to a Toronto Raptors game in the Air Canada Center with a woman (though it would not be Rihanna) and the Toronto Raptors win the game. Then, we’d see him in a club and everyone in the club dancing when One Dance is playing. After that, Future would see Drake in his apartment and they’d imagine winning a Grammy Award. Drake then would see Rihanna in a cafe in Queen Street West and they’d have a conversation about being too good for each other, and questioning whether they are actually dating. Finally, he would sits on the top of the CN Tower shout out to a lot of people. As a bonus, we would see various women in a call center and Drake dancing in bright spaces. Ma Fleur ae eee ae e100 ae Nay-S@llal- la aretiiem @ ken \eitrs| Rebecca Peterson, Humour Editor Ma Fleur is a full-length studio aloum by the Cinematic Orchestra, a modern jazz and electronic band created in 1999 by Jason Swinscoe. This album is probably best known for the song “To Build a Home” and its coda “That Home,” which has been featured in shows, movies, trailers, and commercials ever since its release. However, the album in its entirety is something of a masterpiece, concluding in an eight-minute track titled “Time and Space.” As a visual, | imagine the album playing out like a home video converted into some kind of fancy arthouse film, where the meaning is left ambiguous, with the focus being more on the mood evoked by the visuals, rather than a strict narrative. The album opens with the well-known “To Build a Home,” a simple piano piece backed with strings that captures the nostalgia and longing for a place to feel truly safe and happy. One can imagine their own childhood home, wherever they were happiest, perhaps portrayed in short sepia clips or black and white photographs as the song plays. The rest of the album matches this tone and mood, a sort of relaxed but evocative trance-like state, bringing to mind forgotten memories. Pieces like “As the Stars Fall” and “Into You” give a more nighttime, intimate atmosphere to the aloum, something you might listen to while sitting on a hill with someone you love, or maybe someone you used to love long ago. “That Home” brings us back to those images of a happier time and place, before cascading into something vast and unknown in the final piece, “Time and Space.” NG “4 SS = ua a Hospice ee meme meee. em Naee Vaio Chandler Walter, Assistant Edito! The Antlers’ 2009 album Ho that tells the story of a hosp with a terminally-ill patient. 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