March 10, 2008 editor@theotherpress.ca The Other Press will pay $50 for a feature story of approximately 1,500 words. Please email Editor in Chief J.J. McCullough with your proposal at editor @theotherpress.ca. Offer good once per semester per student. Dougla s College theatre and stagecraft departments celebrate 100th production By Allan Lysell, College Theatre Director (with files from Dorothy Jones) Sis 1983, when the Royal Avenue campus first opened, the Douglas College Theatre Department has produced 55 plays in the Performing Arts Theatre and 44 in the Studio Theatre. As well, the Theatre Department has produced 14 shows in other venues from 1970 to 1983. So in total we’re really celebrating 114 productions! But, more than any particular number, we’re celebrating the people of the theatre and stagecraft departmentsincluding the original faculty, staff, administrators, and everyone else who helped carry us through the early years. And even more importantly, we’re celebrating the hundreds of students who have come to learn about the world of theatre and perhaps ended up learning even more about themselves and the wider world that theatre reveals. Their enthusiasm and dedication is the energy that Douglas College theatre thrives on. The story of the Douglas College Theatre and Stagecraft departments is the story of the College itself. Repeatedly faced with budget cutbacks and no permanent home, both the college and the theatre department lived peripatetic lives from 1970 right up until the opening of the Royal Avenue campus in 1983. The theatre department was housed at a succession of locations for the first 12 years: North Surrey United Church, Surrey Centennial Art Centre, James Cowan Theatre, Queens Avenue United Church, Olivet Baptist Church, New Westminster Secondary School and the McBride and Riverview campuses. That takes us only to 1978! From then classes were held at a local bingo hall, the Burnaby Arts Centre, the Agnes Street Centre and finally the Winslow Campus in Coquitlam. Theatre students and faculty learned that wherever you hung your hat was home. The very existence of theatre at the college was severely tested in 1982 when budget restrictions forced the closure of the department. But the theatre students and faculty would not go quietly. Theatre students protested so vigorously and with such a high public profile in the 1982 “Great Trek” from McBride Avenue to the opening of the new facility on Royal Avenue, that the department was re-introduced, this time as a full two-year university transfer program. It was obvious that a department that inspired such devotion and passion could not be denied. In the fall of 1983 Drew Young (who is still an active member of the Stagecraft faculty) was hired to teach stagecraft courses within the Theatre Department as well as manage the Performing Arts Theatre and outfit the theatre shop (the College owned nary a hammer at this point). This was an exciting period for the department as the beautiful new performance venue became home to a series of popular and powerful productions: The Drunkard, Working, The Would-Be Gentleman, The Hostage, Kiss Me Kate and many more. Some of the teachers and instructors who pioneered these years of growth include Dorothy Jones and Gwynneth Harvey, Christine Menzies and Jamie Zagoudakis, Trudi Forrest and Kim Stebner, Drew Young and Christine Dewar. Their dedication fueled an exciting celebration of theatre at the new Douglas College home. Some of them are still inspiring students at Douglas College to this day, while others have rightfully taken some time to rest and recharge their batteries. In 1987 a new Stagecraft Program was introduced. That program celebrates its 20" birthday this season as we celebrate our 100" production at Douglas College. From the late eighties and into the nineties, the success of the Stagecraft program began to greatly influence the technical quality of productions with sets, props, costumes, sound, and lighting rivaling professional productions. Asecond performance space, the Black Box Studio Theatre, provided more performance opportunities and gave audiences a new intimate theatre experience to complement the larger Performing Arts Theatre. Although the primary goals of the Theatre and Stagecraft department were to train actors and technicians, a happy benefit was the opportunity for our audiences to see excellent productions of important Canadian and international playsOsometimes even before anyone else in Canada saw them! In 1976, Douglas College commissioned well- known Canadian playwright Sharon Pollock. Her play was originally titled My Name is Lisbeth and premiered at Douglas. Sharon later revised the play and re-titled it Blood Relations—it went on to become a highly successful and respected Canadian play. Sharon Pollock will be returning to Douglas College this March to help us celebrate our 100" production! The history of the Theatre and Stagecraft Departments is too wide and deep for a single article but it is important to note that students and faculty from both departments continue to be active in the Douglas College community and in the wider community. Students have played “patients” and “clients” for Psych Nursing and Criminology, toured elementary and secondary schools, created fund-raising “murder mysteries” for the Douglas College Foundation, portrayed “criminals and victims” in New Westminster Police Department hostage exercises, provided readings of new plays for Creative Writing students, portrayed victims for New West’s Earthquake Preparedness event, and participated in many more public and College events. This community spirit has been the hallmark of theatre and stagecraft students, faculty and staff since our very beginnings some thirty- eight years ago. Readers who were paying attention at the beginning of this article noticed that the number of productions at Douglas College’s New West campus totals 99 not 100. That’s because we are also celebrating the future as we look back at the past. Our 100" production takes place in the newly named Laura C. Muir Performing Arts Theatre. The naming dedication ceremony takes place on March 14", so the upcoming Dracula will be both our 100" production as well as the first production in the “Muir” theatre. A generous family donation will provide annual scholarship awards to students from Theatre, Stagecraft, and Music as well as memorialize the life of Laura Muir, an amazing woman in her own right. So, as one act closes and another begins, we look both behind and ahead. We celebrate our traditions and at the same time we begin afresh, ready to deal with the ever-present challenges of fiscal restraint and budget restrictions, and enthused about show number 101 and 102... and number 200! Please join us in our celebration. See you at the theatre! 11