issue 4 // volume 43 life & style // no. ‘Wi

> Taking a look at the fashion

tsa ao
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big winners of
the night, Sarah
Paulson. The
American Horror

For someone like Danes,
who is naturally pale but has
been praising the great fiery
ball of light in the sky this
summer (or possibly the

Brittney MacDonald
Life & Style Editor

OMe eles ed eleh cet
controversial as they

sometimes are, it’s always great
to cheer for your favourite
movie, recording artist, or
actor/actress to win on the
oyCeamevCcde Lams SLU LMBDOh a cUp Tey IT Re
favourite thing about awards
shows is the red carpets. There
are times when I forgo the
actual production in favour of
just seeing the pre-show, and
idetemxostoMirenverh eM Vouceieree)

an occasion. Fashion was the
name of the game as TV’s finest
attempted to stun the crowd

tanning bed), it makes
her tan look very fake.
That, combined with
the brassy blond
hair, and you have
Yaw: | To) Mn Rem ee acts

As if to set
the world right
again, Laverne
Oo antennae mee)
Fue weceeM NC Lercea!
Khan gown that
stunned. The
toned down
shade resembled

aor Baie RCTS
praised for her
daring fashion choice
in wearing emerald
Prada, but I’m not entirely
convinced this gown deserved
any recognition. From seeing
Paulson at previous awards shows,
I know that she has some amazing
fashion sense, but this one just
sort of fell flat. Admittedly, the
colour was beautiful on her—that
Jaye Cosma pyutednl mesNelrentex-vUelis
her pale skin is always a winning

in trendy metallics. Literally,
there was a ton of shimmer
making that long walk—but I
regret to say that some people
pulled it off better than others.
Let’s start with Claire
Danes. The Homeland actress
donned a gold Shiaparelli gown
that looked almost like a well-
constructed toga. | actually
liked this dress, even the
strange sort-of tri-boob that was
happening in the front. Where
I think it fell apart was the
refos Celt Tom BLVeLoR et eawis (ly 4ecemcern
looking “too tan” to the point of
being orange, but a little of that
blame can fall to the dress. This
rJaY-elemoympye-tcy meecel Ce Me-NO EEF VN
rere bom VerueM ey Asis CAM me CTU.
women, or very pale women—
specifically because it brings
out the warm tones in the skin.

combination. However, the shape
of the dress did nothing for her
amazing figure. The cut of this
dress was very Prada, loose with a
bold shoulder and a very deep “V”
down the front. It’s one of their
classic silhouettes going back
several years, and normally they
do it very well. What failed in this
case was their underestimating of
the heft of all that beaded fabric.
Combining that weight with

that severely stacked shoulder
just makes the entire thing look
very boxy, and ona thin woman
like Paulson it makes her look
like a stick of spearmint gum.

Overall, I was pleased with

the looks that came down the
Emmy red carpet. My hope

was renewed for some amazing
seat eiCoye Rac] place Ob are Ta norms iim (ore V als
awards shows proved to be a tad
boring in the style department.
Here’s hoping for a very fashion-
iroMnCruee Milne ceecitoyen

a brushed

metallic finish

that emphasized
iaetemtcsertierels

Ole Loltcannen

and perfectly
complimented

both her skin tone

and Beyoncé-inspired
hair. I loved the detailing
of this dress, and how it
AWeiiccabel aac menuelbte on
She looked like a classy
blonde bombshell. My
only criticism is that the
silhouette could have been
a little more interesting.
Take away the beautiful
colour and the expensive
detail work, and all you
have is a very plain,
boring shape.

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