VOLUME XIV, NUMBEH 30 # INNOVATION ABSTRACTS A Different Approach— Bat Ta Ue Uae en. Uey aaysleet aig, coke ticeted annoy is hae 5 THE UNIVERSITY OF TEXAS AT AUSTIN WITH SUPPORT#FFOM THE W. K: KELLOGG FOUNDATION AND THE SID W. RICHARDSON FOUNDATION Teaching Creative Writing in the Older Adult Program Monterey Peninsula College’s Older Adult Pro- gram—an outreach program that sends teachers to meet with pupils who might not be able to attend campus classes—serves anyone college age or older, though the majority of the students are retired. Classes are held in community centers, retirement homes, nursing homes, or any place where 15 interested students and a teacher decide to devote two hours a week to each other. @ At the first creative writing class meeting, I request that all inhibitions about writing be left at home, that spelling and grammar can always be corrected later, that what is needed now is the ability to record one’s thoughts. At the beginning of each two-hour class, I present a springboard, then a suggestion for the subject of the day’s writing. We, myself included, write for about half an hour. Then, as I sense completion, I open the floor for sharing. In most classes, everyone shares, although there is no demand to do so. Occasionally, people choose to pass, and we all accept that there are days when that is necessary. I always share last, and some of my better writing comes forth during these times! Why does this work so well? I am certain that my enthusiasm and absolute belief that everyone has the ability to write creates a positive setting. (One woman had misread her catalogue and thought she was attend- ing a travel class; she has been with me for three years and delights at her initial mistake!) Also, critique is primarily positive; appreciation of good work and acknowledgment of growth is forthcoming, as is the balance, when one has not produced at one’s usual level. Also, and this is of prime importance, because we share deeply through our writings, a sense of commu- nity is created and friendships grow beyond the class- room. What do I do? Usually there is an introductory period. We speak of pertinent topics: learning about a good book someone has read, announcing a poetry reading that is scheduled during the week, congratulat- ing a person whose work has appeared in a local publication, welcoming someone back who has been away. Then I present the lesson. I have been conducting this class for almost five years (some of my students have been with me that long), and I am always collecting ideas. Of course, what better springboard is there for writers than other writing? When I read a piece that I find special, it ends up in my lesson plans. Some examples of written works that I have used include: children’s books, poctry, editorials, dialogues from novels, and essays. @ These writing assignments are guaranteed to stimu- late students’ imaginations: * Give each student a want ad around which to create a story. ¢ Hand out picture postcards; ask students to place themselves in that setting. ¢ Use postcards; ask students to speak as though they were an object on the card. e Bring in flowers, both artificial and real, and ask students to write their feelings about the contrast. ¢ Bring in seasonal food; ask students to use all their senses to write a memory. * Play classical music; let the sound dictate the writing. * Pass out old Life, National Geographic, or Gourmet magazines to stir memories. ¢ Bring an oil portrait of two people; have students create a conversation. ¢ Copy the first paragraph of a novel; ask the students individually to continue. ¢ Write a past memory in the present tense. (This is good for beginning students.) ¢ Write a letter (to someone you like, a public official, the editor of a local paper, etc.). * Create an abstract fabric collage; then see what it is telling you to write. ==. THE NATIONAL INSTITUTE FOR STAFF AND ORGANIZATIONAL DEVELOPMENT (NISOD) Community College Leadership Program, Department of Educational Administration ~~ College of Education, The University of Texas at Austin, EDB 348, Austin, Texas 78712