BES eliminates the old problems and delivers the sonic headroom that the performance demands. The studio albums, Are You Experi- enced?, Axis: Bold as Love and Electric Ladyland, are a different matter. Although these albums have never enjoyed the full re-mastering treatment that lesser works like Rush’s or Pink Floyd’s catalogue have received, and other than better packaging and production notes, these re-issues are difficult to measure against the first series of issues. The sound on the MCA re-mastering series is marginally less full than on these albums, but one would need to have access to a multi-thousand dollar sound system to assert any clear superiority of these current re- masterings over their predecessors. The only vastly improved feature on the first three studio albums is their packaging: the original album art has been restored. This may seem like a bit of Phish and Grateful Dead tossed in for good measure. Acoustic folk ick;with some tasteful fretless bass assist Mike Chang. ggs aren’t carving any new h Songs We Wrote. In fact, places where the songs they nd suspiciously like songs ple have written. Can’t help into a few lines of ‘If | had a llars’ on ‘Convictions,’ or and’ on ‘Tunnel Vision.’ Then n't picture Michael Stipe u suck/ What’s wrong with broke into my house you y CDs/ You suck/ Did you 's finished with those?/ You isn't going to listen to those / You idiot/ What’s wrong You suck. song, ‘David’s Lament,’ is a oddball rap that stands in to the rest of the acoustic en album, and is perhaps the der that the masterminds his album are still young, and ke themselves too seriously. t, more than anything else, is this album apart: it’s fun. So ou can sometimes hear other choed in the chord ns or vocal lines? The ke these elements and make own, and by doing so have an.album that is surprisingly spite of, or perhaps because vil-may-care attitude exhib- trivial thing, but to anyone who has ever browsed or purchased from the Cavect E Trent CeeDees 33h