P NOVEMBER 23RD 1983 OT HE R THE OTHER PRESS _ . ‘PAGE 11 ENTERTAINMENT Once Upon aMattress Certainly no Sleeper I went to opening pe Thur. Nov. 17, to see the musical ‘‘Once Upon A Mattress’’ at the James by Patricia Burr Cowan Theatre, in Heritage Village, Burnaby. The show was put to- gether by the Heritage Mus- ical Theatre Company and accompanied by a 14 piece Douglas College student band directed by Henry Waack. The show was choreographed by Mauryne Allan who was initially train- ed in Vancouver. The story is loosely based ‘on Hans Christian Ander- sen’s story, The Princess and the Pea. Queen Aggra- vain who is played by Bever- ly Adams is looking for a princess for her son, Prince Dauntless, who is played by Murray MacDougal. Until she finds one, no one is allowed to mary in the Kingdom. Princess Winnifred, play- ed by Dawn Flanagam, ap- plies for the job, ard is _tested in the fairy tale way. Here the traditional story takes a twist, the nature of which I won't give away. The Prince and Princess in true fairy tale fashion, marry and live happily ever after. The story line was easy to follow and lively in presen- tation. The acting was en- thusiastic and generally good. Dawn Flanagam as _ the Princess Winnifred, (Fred for short), is a comica lovable down to earth char- acter, won the heart of het Prince and the audience because she swam the moat. Ed Milaney as the King Sextimus the Silent, did a comical version of the hen- pecked husband. He was rendered mute when a spell was cast on him. As a result, he does some excellent pan- tomime. He is very easy to understand even though he does not speak until the end MONTREAL [CUP]- Leigh- ton Ford, Ontario’s answer to Billy Graham, preached to the converted last weekend in Montreal. - After describing how he fell in love with his wife over an orange drink at a Boston Bruins - Atlanta Flames hockey game, he said: ‘‘We have made sex into an animal thing. It’s just like eating a hamburger.”’ of the show. Beverly Adams as: the Queen Aggravain made me despise the character, a neccessity in accepting the ending of the play. Murray MacDougal as the Prince Dauntless plays the Hy one minor problem with a lighting gel that came loose, although the actors were well seasoned enough that the disturbance did not throw off the actors. The costumes were very colourful and elaborate. ““Once Upon A Mattress’’ is running at the James Cowan Theatre Nov. 24-26 and Dec. 1-3 at 3:00 p.m., with Matinees Nov. 26 and Deck 47. at 2:00 p.m. Ad- mission for adults is $6, students and seniors $5, and mousy son who is totally dominated by his mother, until he falls in love and finds the courage to stand up to her. Gordon Doerkson, the Minstrel who sings the opening prologue and nar- rates the entire play was effective both as a tenor and as a narrator. The rest of the cast did a variety of dancing and sing- ing that was well chore- ographed and orchestrated. The standard of acting was higher than the. stan- dard of music, although Dwayne Campbell who plays Sir Harry sang a memorable series of duets, although he was vocally mismatched. The stage props. were simple and sparse. There children $4. How to talk to your teenagers We all know going out is fun, and no parent wants to take away those good times. But these days, with teenagers in and out of cars so much, it’s crucial that they understand the dangers of drinking and driving, and that they can avert . potential trouble by making the right decisions. First, set your son or daughter straight on this often-misunderstood fact: beer, wine and spirits—in excess, all three are just as dangerous on the road. A good way of avoiding trouble is to plan ahead. Suggest that your teenagers review their evening before going out. If they see drinking involved, far better to leave the car at home than to take chances later behind the wheel. Far better also to say no to a drink, to refuse to drive, or to turn down a lift with an impaired friend than to go along with the crowd and maybe regret it. You can support your teenagers and give them confidence by letting them know that if they ever need help you'll go for them, pay their cab or do whatever is necessary to get them home safely. Most important, be a good example. Never drive if you’ve had even one drink too many. Better still, don’t let it come to that. Know your limit and stay within it. about drinking & driving to your parents If you’re not of legal drinking age, don’t touch a drop. But if you are, and you drive, then you’re old enough to do your part in reaching an agreement with your parents on the subject. Sure they worry. Because even if you don’t drink, others in your group may. The friend driving you home one night may have had too much. Show that you’re equally concerned. Get serious. For instance, what have you read lately about the dangers of drinking and driving? Do you know how much beer, wine or spirits your body can safely handle before your judgment becomes impaired? Do you know the law in your province? And what happens if you break it? Get the facts and discuss them calmly. Then take the initiative and propose a few family ground rules. No driving if you’ve been drinking beyond your limit. (We’ll send you a valuable free chart on responsible limits if you write us.) No riding with a friend who’s been drinking. And convince your parents if a situation ever turns dicey, you won’t hesitate to phone for help. Finally, remind your parents you’re concerned for their safety, too, and that the family rules on drinking and driving apply to them, as well. Seagram We believe in moderation and we've been saying so since 1934. ‘P.O. Box 847, Stn. H, Montreal, Quebec, H3G 2M8