K eae =f as ee pene ree vale Ea PAGE 18 March 1, 1985 Move it on over for George Despite the wide variety of musical styles that have sprung up over the years, a few bands have kept up the traditions of the original rockers. by DAVE WATSON George Thorogood and the Destroyers are the latest in a long, distinguished line of bands (including the Beatles) to receive inspiration from Chuck Berry. The result is a four piece (guitar, bass, saxophone and drums) lineup produc- ing hard, simple, and clean rock. Chuck Berry, was the first concert | ever went to, so | have a_ special fondness for this type of music. During his creative period of the mid and late 50’s, Chuck was one of the few black artists to achieve success playing the basic Blues-based rock of the time. Most other blacks (like Little Richard) had their songs covered by white singers like Pat Boone and Elvis Presley, and only the whites had nationwide hits. Berry electrified guitar blues and wrote songs mostly about girls and cars, thus creating distinctly American rock. Thorogood has taken this basis and added other influences from the same period (like Johnny Cash), and written his own material in the same spirit. The spirit, or soul, of this type of rock is rare in today’s world. Bob Seger sold his soul with the Night Moves album. Bruce Springsteen mis- placed his sometime after 1978. Pseu- do-nostalgia is sold as rockabilly, but the authenticity is lacking. Only the new John Fogerty album and George’s February 17 concert at UBC’s War Memorial Gym have kept me from sinking into a deep depression. We carefully lined up to enter the show—carefully because the ground was covered in numerous glass con- tainers for a variety of alcoholic beverages. As | expected, this was to be a drinking concert. The band began practically on time and received a massive welcome from the capacity ' crowd. Saxman photo by Dave Watson The last few times George was in town, he played legendary marathon shows of over three hours. Sunday he played only two hours, but it was quality time. There wasn’t a single dud song or long, unneccessary solo; just rhythm and blues rock, full of energy and spirit. The Destroyers are a great live band, honed by years of touring. Tight drumming, aggressive saxophone, a simple, functional bassline and guitar chords carved to fit right in. In addition, George likes to insert ‘’Van- couver’’ into lyrics and toss in refer- ences to local landmarks like the Commodore Ballroom, to the delight of the crowd. The show featured material from all their albums. Two Chuck Berry covers (Memphis, Tennesee and Reelin and Rocking) and the oft-recorded Who Do You Love? blended in perfectly with the band’s own numbers like Cocaine Blues, Move It On Over and Bad to the Bone. A great show from a terrific band with clean, loud sound. Due to financial limitations, the Other Press has been forced to run this ad. ~ Rob Reiner's new romantic comedy. _ The sure thing comes once in a lifetime... but the real thing lasts forever. EMBASSY FILMS ASSOCIATES resenrs » MONUMENT PICTURES orooucron » ROB REINER run “THE SURE THING” swrnnc JOHN CUSACK - DAPHNE ZUNIGA wrroougne NICOLLETTE SHERIDAN prooucee HENRY WINKLER roouste ANDREW SCHEINMAN “sr TOM SCOTT way STEVEN L. BLOOM JONATHAN ROBERTS Proouty ROGER BIRNBAUM oneeey ROB REINER Ee. A Pan-Canadian Release Opens at a_ Theatre near you on March 1st.