By Jacey Gibb lhe dramedy is always a hard movie to promote. Should the trailer be chock full of laughs or should the main focus be on the more serious aspects of the story and its characters? Several movies | in the past have fallen into this trap such as Funny People (2009) and Adventureland (2009). Both great movies; both wrongly advertised to the general public. Jt’s Kind of a Funny Story falls into the same trap. In It’s Kind of a Funny Story, our young protagonist, Craig (Keir Gilchrist), finds himself feeling overwhelmed with life and voluntarily checks himself into a psychiatric ward. Once admitted though, he begins to realize that his problems aren’t as big as he thought, as he encounters individuals with much more serious issues. The real star of the film is Zach Galifianakis, as he steals the show It’s Kind of not a Funny Story Movie still succeeds in other categories playing a patient who is being released at the end of the week. The two characters quickly form a relationship that is unusual, but just might be what they both need. Emma Stone stars as a teenager who shows evidence of past self- mutilation, but her character is rather forgettable (save for an endearing scene where she and Craig play “the question game” in an effort to get to know each other). It would appear her role in the movie is merely to fill the boobage quota. The other patients, while effective in their roles, seem less troubled and unstable and are more Juno (2007) “quirky”. Take for example an Egyptian who hasn’t left his room since he arrived in the ward. This works in the comedic sense but gives the film a feeling of surrealism, which might not be the best addition to its already torn plot direction. There are a lot of gems though, like the aspiration for the patients to save enough money to have a pizza party, or the scenes involving Zach’s character’s daughter. As is usually the case with dramedies that are promoted primarily as comedies, the majority of the humour can be seen in the two and a half minute trailer. This presents a problem as the only new scenes the viewer is exposed to are the ones that set up the overall dark tone of the film. The trailers showed no evidence of Craig’s plots involving the outside world (the love triangle involving his best friend and his best friend’s girlfriend) and I really wish they had been absent from the actual film itself. Whenever scenes with him talking on the phone came on screen, I couldn’t help feeling disconnected from the world inside the institution, instead being drawn into high school melodrama. The highlight for me probably Bind. came from the terrific music utilized which included The xx, Ida Maria, Broken Social Scene, and even a fantastic karaoke dream-sequence involving Queen. Despite all of its flaws, It’s Kind of a Funny Story still has redeeming traits. 1 guess with all the movie had going for it, I was just expected something better. 3/5 noon By Jacey Gibb re-discovered admiration for the band Stars. Like most people do, I fell in love with this Canadian group when I heard the single “Your Ex-Lover is Dead” and continued to be infatuated with them for some time, keeping their 2007 album “Jn Our Bedroom after the War” in heavy rotation. Over the years though, my affection fizzled and I simply lost track of where they went. Thank god all those long lost feelings came rushing back when I went out on a whim and bought tickets to their November 4 show at Vogue Theater. Because I had been out of touch with them for several years, I did my best to listen to their new album, Five Ghosts, before the concert. Slowly, I found myself remembering aspects of their charm that captivated me years ago. It’s not because I had low expectations for the show or anything, but after it was over I was left collecting my jaw from the floor. Even though our seats were in the upper balcony, Stars managed to cast a spell of intimacy over the crowd that drew everyone in. Their [= I could share with you my TO RET Oy Ae: AE AD RE TER I FETS SSN ere OE CE A Stars shine at Vogue Theatre Canadian indie rockers light up the stage Five Ghosts set list was a healthy combination from all their albums but a greater portion derived off of Five Ghosts, which was no problem. I’ve noticed that the majority of my favourite Stars songs tend to be mellower tunes which led me to be concerned that their live show might share this same characteristic. But, once again, I had underestimated Stars and they managed to deliver less soft and more rock. During “Wasted Daylight”, a bubble machine began unleashing waves into the crowd, creating a sense of awe for everyone to enjoy. Not long after, Torquil Campbell gave a shout out, praising Gordon Campbell’s recent departure and jumped into “The Comeback”. As soon as the song ended, the majority | of the band left the stage, leaving the spotlight on Amy Millan. She started off by addressing the crowd with a story, “So people have been asking how far along I am. I usually respond ‘How far along am I into reading Moby Dick?’ But actually, I’m about five and a half months along.” Queue applause and laughter. Accompanied by only an acoustic guitar, she serenaded everyone with an incredible version of “Ageless Beauty”. The rest of the opening set list was bursting with crowd pleasers like “Take me to the Riot”, “Don’t Want You for Your Body” and of course, “Your Ex Lover is Dead”. The continuation of “Your Ex Lover is Still Dead”, “One More Night”, rounded out the core of the night’s performance. And, as the lights faded, only the encore was left. Once again the lone member of the band on stage, the spotlight found Millan as she delivered the number “Celebration Guns” before being reunited with the rest of Stars. The encore consisted of six songs, the highlights of which being “I Died so I Could Haunt You” and Oe “Midnight Crowd”, where they called in reinforcements from the opening band, Young Galaxy, to play some tambourines. “Soft Revolution” got the crowd moving more than usual and Torquil personalized the lyrics, changing “Velvet Underground” to “Vancouver Underground”, signalling excitement from the audience. I feel the show should have ended on this high note and everyone got up in their seats to give standing ovations, but Stars continued with one final number, “Changes”. The bubble machine again roared into action and the band members took turns showering the crowd with pedals from flowers before leaving the stage for a second and final time. After conversing with fellow concert goers, we all agreed we could go home right then and there and listen to Stars for hours. There’s something about their music that’s refreshingly honest. Needless to say, I’ve been listening to Five Ghosts nonstop since the show and I don’t plan on stopping anytime soon. I’d rate the evening eight and a half ghosts out of ten. 8.5/10