his very special ¢ e works of talent lobin. Ripley and also showcases — e activities of The Institute for rban Ecology (founded at jouglas in 1984), which fosters € preservation and protection of tural habitat in the Lower ainland through community- sed education projects. Ripley found inspiration for is series from her garden and cific Spirit Park, where she often s with her dog. Each piece in t series “tells a little story,’ says ipley. ‘Data/Schemata’ for exam- e, explores the relationship tween nature and some of the an-made objects she found on t walks in the park (such as old cycle reflectors). Ripley's playful ewed perspectives and close-up dscape fragments are an attempt “readdress the Canadian land- pe tradition in art” (with its e-point, wide-angle perspective) d to bring the viewer closer so at “the details and the patterns nds that couldn't be more ndane. All the songs reminded of synchronized elevator sic. I’ve heard of bad orchestras and on, but I didn’t realize that a band could stoop to such a level and then be put on the rket. Said and Done ts therefore my opinion done! The music sn't catchy nor did it mean ch. Said and Done was pointless the music accompanying the ics was horrible, For your own e have some respect for yourself steer clear of this CD. adiate KE QUONG e album Radiate by the relatively nown group Alien Invasion left with mixed feelings. any of the songs on this CD e poorly done. However, the: ists did show they possessed e good singing skills in that y are able to carry a beat and high notes. An example of this track rwo, ‘Shine. I noticed t several times throughout the g the artists are able to hit emely high notes which is dif- It to do. I could notice this aid and Done in nature” can be clearly seen. In thi es: elf as “ it.’ Lori Robinson, an Other Press photographer attending the exhibit, fele that ‘ highJy textural, multi- dimensional art seems to reach “beyond their frames [like] art without borders; it’s not like looking at a piece of art ” on the wall. The exhibition also showcases the activities of the Institute of Urban Ecology, and their display. included a variety of fun, inter- active material. Colourful sheets hang from the ceiling like billow- ing clouds, a large and highly orig- Robi inal bright yellow wooden compost” box reads: “Tips for Happy Worm Compost,” a red rainbarrel has suggestions written on its side on how to use rainwater to save water when watering your garden; there is also a photographic display of some of their community-based projects, and much, much more. repeatedly because the lyrics of the songs are repeated several times over. For example, on track one, the chorus is repeated about ten times in a two minute song. The songs do, however, have a good side to them. As with most techno, they are great to dance to. The tracks all had one thing in common—they all had good beats to them but the lyrics were poorly done because of their repetitive nature. 1 wouldn't really recom- mend this CD to anyone. JOCHEN BIERTUMPEL The band that keeps on giving he Lounge Cats have | caught Vancouver's ears! Rick Sloboda does the vocals and plays one of the guitars. The second guitarist is — Roger Lamothe. Rob Lagambina plays bass and Mark Cameron pounds the drums. This pop/rock quartet delivers great music with their Litter Box Gems CD. It contains songs like ‘Glory, ‘Seventeen, ‘Go Home, and ‘Tt Ain't Me? X< he preview CD was sweet, but the live performance was exquisite! The institute's Executive Dir ne : Ripley” orl ee Robinson as Photo _ expert- ence for students and unemployed youth, among other things) will help “to increase the value of urban habitats to The Lounge Cats were celebrating the release of their new CD on September 3 at the Starfish Room. This was a night of amazing music and content people. The starting band, Automatic Slims, was also very good. These rearing Cats’ portfolio includes shows for the Vancouver Sun Run, The Roxy, The Press Club, The Lamplighter, Anza Club, Stone Table, Brooklyn Tap and Grill, as well as various fund- raisers in the Fringe festival and other private parties. Both of these bands played extremely well and got nothing but standing applause and requests to ‘ continue after the show was over. From nine thirty to eleven thirty Automatic Slims played their hearts out; followed by The Lounge Cats. The audience was on the dance floor and everyone was liquored up and happy. The Lounge Cats helped raise money for the SPCA by selling coupons for a draw. They were being sold around the Starfish Room for 50 cents each, or three for a dollar. The band reportedly managed to raise $100 for the SPCA. When asked why they cology paints the town... wall murals in schools and com- munities. Those of us at the Other Press who've seen the exhibit think it’s a “pretty neat” exhibit, so natural habitat in order to increase urban biodiversity thre ghout the Lower Mainland.” The institute hurry on up to the fourth floor and take a look at this fun, inter- active, inspirational and informa- tive exhibit before it ends in a ~ week—it's certainly well- worth seeing. Next at Amelia Douglas Gallery: the works of Sean Alward and Nerissa Ng, beginning - September 24th. hopes that these projects will encourage public awareness through organized activities, such as habitat restora- tion projects, planting native vege- tation, and teaching young people how to make bird-boxes and paint called themselves The Lounge Cat., they said that they are very easy going, and they are part of the lounging around scene. All around, The Lounge Cats have shown some real class in their attitude towards the fans and apart from that their music simply rocks! The Starfish Room was packed at the end of the night and it was a very joyous experience. August, 22 Club Mora, Wednesday, August 26 with guests Mylos Memory Stone Temple Cabaret, Monday, September 28 with Pleasure This band is definitely worth your money, so don't miss it by ordering your tickets from Ticketmaster today. Upcoming gigs include: VTV Dream Seekers, 10% OFF all entrees for all Students, Faculty & Staff of Douglas College 50-8th Street, New Westminster 604.524.9788