Ont By Sophie Isbister, Life & Style Editor irector and filmmaker Jennifer Siebel Newsom sees a “boy crisis” happening, and as the mother to a young boy, it concerns her. She is the director of the acclaimed documentary Miss Representation (2011), which shed light on the harmful ways in which the media portrays—or erases—women and their experiences. Her next project is a Kickstarter-funded documentary called The Mask You Live In, the trailer for which has garnered immense Internet buzz and sparked a continent-wide discussion on the toxic effects of the gender binary on young men. She introduces the five-minute trailer by saying she is “increasingly sensitive to the extremes of masculinity that will be imposed on [her] own son.” She asks: “Who will he become as an adult man? A sensitive, caring, and compassionate human being? Or a depressed, lonely, and disconnected portrayal of masculinity, limited by cultural stereotypes?” What words do you associate with masculinity? Tough, strong, stoic, a leader who never cries and “mans up.” “Be cool, and be kind of a dick.” Men and boys who “don’t see the point” of these stereotypes are mocked and ridiculed: they are called by feminine terms, like pussy. The binary of male/female, and the idea that men are tough and women are weak, are harmful to everyone: to boys and girl, and to men and women. To gather information for her documentary, Siebel Newsom reached out to sociologists and psychologists, as well as boys and youth in American schools, which is where the name of her project comes from. Youth worker Ashanti Branch says in the trailer, “Our kids get up every morning; they have to prepare their mask for how they’re going to walk to get to school. Hopefully they can take the f iweurink more rT UEC ed group +. ey =," aj a ae | , aa’ a i Cn a ae) 7 / ae ee ce) J Ls BA ae. a te . Cae) | = . TOXIC MA mask off so they can focus on learning. A lot of our students don’t know how to take it off. The mask sticks with them all the time.” Reaching out to people in your community is an important first step to starting the discussion; a discussion I believe that college- aged people should be having. College is a time in your life when you are learning about yourself and the way you plan to present yourself to the world. The Other Press spoke with a few members of the community about the ideas expressed in Siebel Newsom’s film clip, to find out of those ideas ring true, if they are useful, and if they go far enough. Husain Vahanvaty, a Douglas College student finishing a diploma in concurrent disorders and seeking a degree in social work, currently works with at- risk youth. He says that in his experience with youth, he has noticed the effects of masculinity. “You can’t really be sad about your situation, you can’t be upset that you’re given a shitty lot in life. You have to be angry about it, you have to hustle, you have to deal drugs, you have to go get into fights, [and] you have to do a lot of drinking,” Vahanvaty says. But Vahanvaty says that the documentary trailer fails to point out class intersectionality, which is a criticism shared by Vancouver resident and activist David Miller. Miller states, “A key point in the film is the experience of urban African-American youth who are asked 66 both things. Starting the conversal what they hide. They mostly say it’ for their experience, but I’m sure it masculine stereotype which serves about racism? What about capitalis system which attempts to mould th In a society that is deeply strati useful to look at such things in a va Ihe fact that young boys are raised to dolls does not mean that men innate are innate caregivers; both sides of tt it’s good to focus on one aspect. Bu need to look at all aspects of the for without our consent.” Miller also n mention the patriarchy, which he di domination that for some reason w implies that the absence of the p-ws more palatable to a wide audience. Vahanvaty mentions the patria challenges of the quest set out in th