”’ Hi oh () ASA. The ve NY os ry name conjures visions of hairy s ony to God. This music i hatch eolibalis.t a trying to a religious ex scan See volcano. No? op of an erupting trancends the mea spb Well then, pe Two songs that arti rraieaeceinat senha z ee sed me: one eee hreaic 7 singing and chanting th and the er’ of iron, that requires th ae (pronounced cake bers in Nee ofa Boe, ane 8, dane fOr the ets West Af i : VvOoKes night that ; ' : . 8 2 oe and their god. anda eet intoxicating, ically and hope i ame | spell phonet- |_ came to a ie aes told us: ‘A ‘sedge se spelled ‘Quasi’, ‘‘thoroughly Goes ropology class was formed in the rane - ref who A few of us had been dancing fo h supreme God, got a littl ge of the last half hour of the oe oak trcoun Eases “ha ae intelli- help but wonder if reac ae ae san not fit to deal with Cod. ie Salk ee oe pounding wee sent ministers to act as inte rollably to some i a 3 termediar- ’ e internal drum trio ies. But pretty. soon e found it hard to ; oe ' Y= St man got too convince their instruc- rotten to deal with th 5* tors that they were drunk (laughter) That’s € ministers... Mine had et ee wh ad been th ee a ee ae have our rituals and music. We n to appease the ministers to get oe The Humanities Institute and to ASA by Neil * Praise It was midni icin He _ sh the barefoot the most creative, inventive b , SU Anca iectrom th with a plastic seen in a long time and th ae took he staze Pati ie vey ~ Most of the songs done br oeninenié by bass, gui ccompanied only have titles the lyri lapel - guitar and’ drums. The. i es the lyrics are improv- : 1 sed ee prov uniiaeeid oe raen ashint oe One a eee ee OL fie Rand ad and a squid covering th right : g the Some oft i ; ey cae ot Us face. This synthezizer Sans Bumat —- titles are ‘‘To he who is forfanet eded to say Cookies by Bill, Break ein receive the spirit of th . enough to Haunted House, Sav eli could tell this was ee be Course, Squid Gastetd: Onliileh. interesti : , tO. de The : : ob. SU ie aes laa ease eee ee rness of P. the _ The Other Press Mollusk showed similarities i Byrne and Peter Gabriel. isis” asks the profound question ‘‘Could not the poison used to eradicate pests ere than the pests themselves?’’ ri Sager of this band shows Hs ugh in the square dancing, knee sleppine tune ‘‘Hamburger and Cow- ae Omnisquid’s music gives Set cueie te ee ae ike the love ra Scooby Doo i i a 2 aby Pea whi displays an affect: September 26, 1985 PAGE 13 ScooUUUCo Soce ceeree ScCoocS Soocce Ssooos oooCcS Sc SoCooooooocos Soooced Soocoeocse SoCcCocS S SocoSoees ScooSs Secc 6ocS soos SCcoS oe oc oS S60CcCcS Secces cceeee ee mollusk * We ee! with a large amount of black ee s on his head told me ‘‘It’s great . bein ck ys something positive for en nge. Although theré were some nical difficulties with the drum aoe ay did its own short but solo, it wasn’t a é a there were free Pate gs ae mip If you like to smile and ies ue tired of all the mundane | ife see isqui exits are that way eee 3 iy by Kirstin Soce S06 Socoece SO000C6 SoCoCoooS SOcecSd SOoCoccs Soocoooos SS SCooooooS Soooooce Soce SCooCooCoS SCcooooSs cceee SCcoce Sood S500c Sood 50006 Soc B06 6066 On Sept. 21, house opene ; {Season with ‘ play, Goodnight Disgrace. |} by Kirstin Shaw and Paul Pilon : An insightful 1 | play, Goodnight Disgrace portrays the i] § tragic love betwe j 3 (Ron Halder) a | ¢ (Graeme Campb remarkable literary | } the 20th century. Taking the form an elderly Aiken draws streng recalling the challenges Lowry’s very existence posed to him as a wrl almost father and son. uptight business ship to Aiken drinking problem. same time P manipulating Aiken takes which he Art requires the ultimate sacrifice” The Vancouver Play- d its 85/86 Red Series Michael Mercer's first and moving stage en Malcolm Lowry nd Conrad Aiken ell) one of the most relationships of of a memory play, th from ter and g and his literary ‘| $a man. \ | The 28 year relationship between laughs are The Nurse (June 1 | g Aiken and Lowry starts out as a who feeds Aiken tapioca pudding in \ | teacher-student relationship and the rest home and Aiken’s artist i | rapidly develops~ into best friends, friend Ed Burra (Richard Newman). eed The set is simple, a few chairs and a : \ | Lowry is youn : genius is evident but so is his ‘American Pie’’ and ‘‘mood project- : dependency on alcohol which event- ions’’ on the far wall, is quite enough : ually causes his death ( art requires for the context of this play. : the ultimate sacrifice). Lowry’s father in Goodnight Disgrace there is a Arthur Lowry (Barrie Baldaro) an natural order of things and in the end Aiken has the toilet seat trophy. man, gives guard- because Of Lowry’s Aiken nurtures Lowry but at the rotects his position by Lowry. A way in. whic something from Lowry doesn’t have, Lowry’s. in- SS = oer nocence, sequently gett an ex-lover, J who happens to doesn’t do Lowry any good. Aiken is strong physically whereas physica friendship is full sorrows, pride, fices. Aiken’s S destroys his love Clarrisa (Jerry) Rose). This play has tense mome has funny ones as well. characters W from the confli table, but with clips of the Queen Elizabeth Playhouse night- ly, except Su $11.00 and 280-4444 or at the playhouse box office - 873-3311. dents and seniors. ——-—> = a | is by introducing and con- ing Lowry involved with an Gabriel (Joelle Rabu} | | be a vamp and | | | mentally but weak Lowry is strong lly and weak mentally. Their of love, hate, joys, \ jealousies and sacri- \ trong love for Lowry for his girlfriend Lorenz (Gabrielle nts but it The two hich distract the audience cts for some brief Mayhew) music such as Goodnight Disgrace is playing at ndays till Oct. 19. Tix are are available at Discounts for stu-