@ www.theotherpress.ca Feature statement has been embraced since at least the 1970s (see: David Bowie, Alice Cooper, Boy George, Michael Jackson, Brett Michaels, etc.) one only has to look to the wigged, powdered, hose- wearing aristocratic men of the 18th century as a prime example of androgynous fashion. Both genders wore elaborate powdered wigs, garters, hoses, and pointed shoes, though only women enjoyed the spine warping joys of corseting. For both sexes, this elaborate style of dress served to highlight one’s position in society, since anyone who had to toil for a living would not wear heels. Nor could they afford to do so. And what about the modern incarnation of this trend, the Metrosexual? If you take a man, remove all his body hair, shape his nose until it’s too small to breathe through, plump his lips, give him a spray tan, apply guy liner and lip gloss, buff his nails, and feather his hair, you are going to have a pretty feminine looking dude. Undeniable. Spurlock didn’t manage to find any truck drivers or loggers or fishmongers for his documentary, who actually claimed to be going to these lengths as part of their daily regime. His wealthy, show business test subjects don’t exactly speak to the needs or preferences the masses—which is not to say that there are not those of us among the commoners who don’t aspire to this aesthetic. For the wealthy heterosexual men who choose to partake, androgynous style was, and still is, an assertion of status. And those who follow these trends are searching for the same status. So spins the big wheel of human weirdness. “Uslnerability marketing: the accidental brilliance of Sy Sperling and the Hair Club for Men hen Sy Sperling went to his marketing team for a TV ad campaign, they gave him two options. The first advertisement showcased an attractive, chestnut-locked man playing tennis, horseback riding, and just generally being a stud. The other spot featured Sy Sperling, holding up a photo of himself in less hirsute days and mumbling those iconic words: “I’m not only the president of Hair Club for Men, I’m also a client.” Stiff and wooden, Sy was no television actor, so the team went with the first ad. When it didn’t do as well as expected, they pulled the ad, and gave Sy a try. According to the documentary Roots: The Hair-Raising Story of a Guy Named Sy, this is when things took off for the company. Men remembered the slogan, but they also identified with Sy, who had actually felt the social sting of premature baldness. Sy’s presence was, in the words of mustachioed ‘80s icon Geraldo Rivera “so disarming,” men couldn’t resist. Sy’s willingness to appear vulnerable in front of his client base paid off hugely for him. He also allowed his brand to appear in several jokes and top 10 lists on The David Letterman Show. He’s appeared on Late Night with Conan O'Brien and The Tonight Show with Jay Leno, leaving no doubt in the minds of potential clients that he’s in on the joke. This kind of marketing was revolutionary in the ‘80s, but it’s still pretty untapped today. Makes you wonder how it would go over in the botoxed, tweezed and airbrushed marketing world of 2012. 13