ek a a A eae GENDER-BASED VIOLENCE IN THE VANCOUVER ARTS SCENE, & BEYOND HASHTAGS AND CALLOUTS HAVE SPARKED A CONVERSATION, BUT WHERE DO WE GO FROM ard erg BY JACEY GIBB, DISTRIBUTION MANAGER a LL Lh In mid-October, a post slowly begins popping up in the newsfeeds of people involved with the Vancouver music scene. A woman has compiled a list of abusers—both her own and of others—and posts it on Facebook, encouraging people to message her if they have more names she should add. Attached to the post is an image, and a list of men with varying numbers of /'s next to them. “Each /’ represents a report,” the image reads. The list has seven names on it, ranging from DJs and promoters to musicians. Within a day, an updated version of the list appears; some of the men have one "/” beside their name; others have six or seven. Between the seven men, there are 22 reports. Response to the post is swift, and polarizing. The majority of people vocalize their support and thank the woman for posting the list; survivors ask for another slash to be added next to their abuser; people who don't even know the woman begin re-posting the list in solidarity. A vocal minority in the comments challenge the woman's list with the usual deniers’ bingo of responses. In the days that follow, people also mention how one of the accused has been missing since the day before the list was posted. Shortly, an announcement is made on Facebook that the DJ has passed away; he died a day before the list was released. Only one media outlet directly says the deceased “killed himself,” but many commenters quickly jump to their own conclusions. “Do you feel good? That you're a murder? Were all those likes and shares and comments worth your soul little girl?” a friend of the deceased comments on the post. Someone else messages the woman to say thanks for killing their friend. Shortly after the death is reported, the woman's Facebook account disappears. Days later, it reappears, but without the callout post. TH Add Two weeks after the list appeared on the Internet, |'m sitting in the Vogue Theatre on Granville Street, where Good Night Out Vancouver are presenting a workshop on understanding consent and how to foster a safer nightlife for workers and patrons alike. An offshoot of the Good Night Out campaign started in London, the Vancouver chapter have been advocating for safety and harassment prevention in Vancouver's nightlife venues—and, understandably, they've been busy. At the start of the workshop, GNO coordinator Stacey Forrester clarifies the intention of the evening: We aren't there to debate if we live in a rape culture. This isn’t something we're questioning or trying to poke holes in. Forrester presents it as a fact, and the workshop moves forward without hesitation. That's because we live in a society where, traditionally, survivors have been discredited, dismissed, and often silenced. Data collected by Statistics Canada shows that approximately one in every three women and one in every six men will experience some form of gendered violence in their lifetime, and these are just the incidents survivors are disclosing. Those numbers also don't take into account other factors, including your ethnicity, if you're a cis woman or man, or if you have a disability. According to community. 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Emma Cooper is a Vancouver-based comedian, and co-founder of the show, Rape is Real and Everywhere: A Comedy Show, where survivors tell jokes about their assaults. To Cooper, the media spotlight on gendered violence is far from a revelation. “| was being interviewed and someone asked, ‘Are you surprised by the Harvey Weinstein thing?’ No! 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