© theother press ¢ Culture Continued from Page 17 pass may not be able to penetrate, I stop by to make sure there is still room at the Penthouse. Yup, looks good...onward! 10:10p.m. Sekiden @ The Royal Imported from Brisbane, this band is obviously just as sick as everybody else is of certain over-hyped Australian bands that shall remain nameless (rhymes with The Lines). Simon, the singer, announces, “Sorry about the hype. Hope we can live up to it, unlike some other fucking bands you may have heard of.” And live up to it they do! The crowd is downright giddy as the energetic trio explodes all over the stage at The Royal. What I wouldn't give to be able to stay for the whole set. 10:35p.m. Great Lake Swimmers @ The Sugar Refinery Although not technically an nmw show, I can’t resist the opportunity to stop in and check out Toronto’s Great Lake Swimmers. Bea-u-ti-ful, graceful, heartfelt folk/alt country. What do you mean it’s time to leave already? No fair. 11:00p.m. Sianspheric @ The Penthouse Hmn, still room at The Penthouse. Sonic Unyon’s Sianspheric play a predictably solid set of their trademark experimental space rock. Looks like it is still safe to skip out again. 12:00a.m. The Spitfires @ The Pic Again, not technically affiliated with nmw, but after Thursday's show I feel it will be worth the trip. True to form, the energy and insanity levels appear to be high both on and off the stage. How on earth do these guys do this all the time? People keep bumping in to me, and I can totally imagine myself being taken out by a stray bottle so I think it’s time to get back to The Penthouse. 12:35a.m. All Systems Go @ The Penthouse I think I have seen too many bands tonight. I seem incapable of forming an opinion (perhaps that has more to do with the Heineken than the band, though). Band members offer $20 American to any- one willing to come up on stage and “straddle the pole naked.” To be expected, some chubby drunken guy jumps up and starts to stumble around and tug at his shirt. When he doesn’t meet the band’s request to “see dick,” he asks for five bucks, but reluctantly leaves the stage empty handed. Oh yeah and they played some songs or something too. 1:10a.m. Adam Franklin @ The Penthouse So here he is, Adam Franklin of Swervedriver, the place should be bursting at the seams right? So where is everybody? The crowd has noticeably begun to thin out, as Franklin treats us to an interesting solo electric set. Never having been a huge Swervedriver fan myself, I am a little lost on the nuances as the eager fans excitedly respond to obvious Swervedriver faves. Good show though. Can I go to sleep now? 2:15a.m. The Railway Club Rumour has it the Railway is still serving so I make my way over to the hallowed establishment. A large crowd is spilling out of the big wooden door after watching Ramblin’ Ambassadors ét al in the Mint Records showcase. Apparently the rumours are not true, and after one quick lap through the bar it’s back outside—no alcohol to be had. Nobody seems in a hurry to leave though, as the crowd continues to con- gregate—smoking and __ visiting—half-heartedly attempting to hail cabs. Sam Roberts is here (turns Page 18 e http://otherpress.douglas.bc.ca out he is quite tiny, it’s pretty disappoint- ing), members of The Organ and The Spitfires are here, apparently everybody is’ — here. Soiaehat explains the mystery of the — empty Penthouse. After many desperate attempts to secure cabs, it appears that it is time to make alter- nate plans. Denny’s it is. 5:00a.m. The couch @ My sister’s apart- ment Try to fall asleep knowing full well that my niece will be waking me up in about three hour's time. I could never be a rock star. Sunday May 25 6:00p.m. Wrecking Crew @ The Railway Club Part of the Outlaw Entertainment showcase, I have to admit that Wrecking Crew isn’t really my cup of tea. Johnny Harley leads his band of tattooed, cowboy hat-and-sunglasses-wearing bad asses in their attempts The Great Lake Swimmers to sound like AC/DC. If AC/DC were from Calgary. I quickly make one more trip to the bar before head- ing off to the week’s final destination—The Flaming Lips party at Plaza of Nations. 7:00p.m. to 10:00ish p.m. Starlight Mints, Destroyer, Liz Phair and Modest Mouse June 2003 Spitfires Okay, so I’m getting lazy, but then I had to pay $50 to see this show as it was beyond the realm of my media pass, so I am under no obligation to be insight- ful here. And let’s be honest, who’s really still reading this article at this point anyway? All of these artists play some songs and all of them are received well by the sizeable crowd. Starlight Mints (who, with the exception of the drummer, look about 13 years old) are enjoyable, Dan Bejar has cool hair and even cooler tunes, Liz Phair wears a mini skirt and plays “Supernova” along with a bunch of new stuff from her upcoming album, and Modest Mouse are predictably fun—although admittedly not so good at the stage banter. 10:00ish p.m. The Flaming Lips @ Plaza of Nations Bliss. Joy. Perfection. Best live band ever (just don’t tell the Rheostatics I said that okay?). Continuing their tradition of being the finest hosts in rock and roll, the Lips have the crowd at the Plaza of Nations mes- merized in no time flat. As confetti and giant colourful balloons fill the air, the Lips, flanked by their usual crazy dancers in animal costumes, transform the venue into a giant love in. There is fake blood, nun puppets, giant-hand gloves, smoke machines, seizure-inducing flashing lights, mechanical doves, inflatable robots and a backdrop of crazy video imagery—and that doesn’t even begin to describe it all. Despite the chilly weather (and the fact that the concession stand has run out of coffee) the mass sing-along to “Yoshimi Battles the Pink Robots pt.1,” and the traditional sere- nading of audience members celebrating birthdays, leaves the shivering crowd feel- ing warm inside. By the time they get to their inspiring performance of “Do You Realize??” and Wayne Coyne sings “you realize that life goes fast/it’s hard to make the good things last,” we all know exactly what he means. i] a Photos by Angela Blattman