RISSENTERTAINME Music for a Cause: aeditor@gmail.com Youth-organized event tries to motivate other youth lain W. Reeve, A&E Editor On September 23, a group of three motivated youth leaders, one of whom is a former Douglas student, put on an inspiring fundraiser concert at the James Cowan Theatre in Burnaby. Acts performing and included Delta rock country outfit Higgins, and Vancouver native Ben Sigston. In addition to some wicked local music, the event featured four youth speakers dishing on topics around youth leadership and political and social engagement. All proceeds were donated to War Child Canada, an organization dedicated to assisting children in war-torn countries. There was plenty of enthusiasm, both in the crowd and from the performers and speakers. “P’m always eager to do what I can to help young people who are trying to make a difference, and you know what? What these young people are doing will make a great deal of difference to those who need it the most,” said Sigston of his involvement in the event. A member of the Higgins family, Eileen Higgins explained their enthusiasm: “We perform because we love music, but it’s extra special when you can help peo- ple in need at the same time.” The speakers covered topics profiling youth initiative in many projects around the world including the HIV/AIDS battle, environmen- talism, and all manner of grassroots activism. The three youth who organized the event are look- ing to organize further fund raising efforts in the near future. If you are interested in learning more about these events, contact chiranlivera@hotmail.com. For more information on War Child Canada, visit www.warchild.ca. To check out the bands that played, see www.higginsmusic.com and www.bensigston.com. Kevin Lalonde, OP Contributor 1995-2005. Am I sti stuff I loved whe crap and I just Good just matthewgood ina coma e with that : at nobody can Lou-somet It’s cheesy, but they say that everyone has a sound- track—to their lives. You know, the first cassette tape you ever bought, the song you listened to when you walked to school the day you graduated, the album that was playing when you first got laid, that kind of stuff. Arguably, some are better than others. It could be said that if I had a soundtrack, Matthew Good would fill the liner notes from age 14 to 19. I was the first kid on my block to buy Beautiful Midnight, and was proud of it. god, but new songs aren’t what I’m thes for. e real gold in this compilation is the nine acoustic tr SO So, it’s with a kind of mild trepidation that I throw fs on the second CD, re-wo tkings of mostly older in the new Matthew Good compilation, In a Coma: B®. from as fat back as the Raye EP, right up to rolling acoustic guitar and occasio work, the song takes on a mofé Matthew Good—In a Coma: 1995—2005 White Light R evue. Though not this portion of For example, “Truffle Pigs feeling as the original recording, ’ and more barebones, begging from the aucience. aig _ “North an st say baling wel tex: —_ | and d ae alling Apart” and “Flight Recorder From cone vocals by Holly armen are an to eho a best of you’ve eae before. But it sure beats having to nternet like the rest of us did. is ten-years worth of satirical ian rock, I’ve found that I , and that “Mambo #5” ver, if you love Matt Good nd let yourself be reminded n subversive till love Matt