ASE Food for thought No Limits: A Virtual Worlds Novel by Nigel D. Findley by Trent have a confession to make. I like Kraft Dinner. I know that it’s not the best thing to be putting*into my system, but every once in a while I need that pasta/ phony cheddar fix. Add a few spices, maybe change the milk-to- butter ratio, and it tastes different. Oh, not wildly different, but enough to make it palatably different. No Limits is enjoyable in much the same way. It’s not gourmet literature, and it is awful similar to a lot of other books out there, but boy, did it taste good on the way down. The story centres around a typical (stereotypical?) hard-as- nails commercial pilot who discovers that her dying grandfa- ther and her long-dead father were involved in a secret government project. She (yes, the hard-as-nails pilot is a she, just one of the plea- sant spices added to the story to make it flavourful) slowly unravels a plot that is at once familiar and delightfully new. The mystery unravels at a lux- urious pace, and more than half the book is spent building up to the discovery of a super-secret organization, the Virtual Geo- graphic League, that is engaging in cross-temporal (or was that dimensional? In the end it doesn’t really matter...) travel and adven- ture, enlisting hot shot pilots and geniuses and explorers. (Einstein, Richard Burton (not the one that married Liz Taylor, the other one), Amelia Earhart, Nicola Tesla and Alexander Graham Bell are all part of the conspiracy.) After discovering the VGL, Sam breaks into a super-secret installa- tion, wanders about unnoticed, slips into a cross-dimensional (temporal, whatever) travel- machine (which sort of resembles the cockpit of a plane, surprise, surprise) and snows a technician The Other ~ 9 into sending her off to “elsewhen.” This last series of events is the weakest part of the entire book, and the less said about it, the better. But considering the twist- ing, tangled and enjoyable road that the reader has followed to get to this point, the glaring plot holes can be forgiven, depending on how magnanimous the reader is. The “elsewhen” she winds up in turns out to be a strange planet where gladiators ride in huge BattleMechs (kind of like... RoboTech, maybe?) and engage in large-scale, televised battles for fame and fortune. The book reads like the first in a series, which, indeed, this one is. But the knowledge that there are more books to follow allows author Findley time to develop the plot. If there is a problem with the pacing it is that the last part of the book seems rushed, especially after the long, slow build-up. The last half could have easily been developed into a separate novel. The alternate world plot is in no way new to this book. Neither are the characters. Or, really, anything about this novel. Not even the cover is vaguely original. But for all its typical elements, the book is still good. Like Kraft Dinner with a dash of curry. Or with an extra shot of butter. Or, my favourite, with stewed tomatoes and basil. Mmm, good. spiracy, slas College's autonomous student newspaper, is now accepting applications for the : positions: ee lies eles Geass eee es apt to amigas source chy Preference will be given | to DC students, but anyone with a journalistic/student press background is encouraged to apply. Only selected candidates will be contacted for an interview. Deadline, Feb. 17. Ser.d résumés to: Board of er Press email amcor: douglas.bc.ca Noon at New West Twenty-two year old pianist spans Classical, Romantic & Modern eras by Cynthia Ashton Styles Libby Yu has already crammed in more knowledge about piano performance than most students can hope to do in an entire lifetime. Currently a student of Lee Kum-Sing both at UBC and the Vancouver Academy of Music, Yu won First Prize at the 27th CBC Radio National Competition for Young Perform- ers and was also awarded a Diploma of Honour at the 13th International Frederic Chopin Piano Competition in Warsaw. In her recital in the Noon at New Westminster concert series last Thursday (January 30), Libby Yu spanned the Classical, Romantic and Modern eras in works by Haydn, Bartok and Schubert. Opening with Haydn’s ‘Andante con variazioni’ from the eighteenth century, Yu displayed a clear understanding of classical interpre- tation combined with a sensitive reading of the work. Each note had its proper value and yet there was room for meaningful musical sighs and pauses, almost to a Chopinesque degree. The gloves came off, however, in Bela Bartok’s ‘Out of Doors Suite,’ I n her short twenty-two years letters continued fom page 2 In the January 21, 1997 issue of The Other Press, lvana Kumptu presented an opinion (Women have bigger brains than men) suggesting that biological and psychological evidence exists indicating that female brains are larger than male brains. She then proceeds from this premise to imply that women are better equipped than men for mental functions involving plan- ning, executing actions, handling multiple tasks, switching efficiently between tasks, Paes F logically like males? Or, and so on. To conclude, Similar studies have been used to since the cerebral cortex she implies that some demonstrate that successful regulates intellectual form of injustice might Se 5 activities, perhaps womel exist as the planet is capitalists have larger brains than need larger brains to controlled by males with Hi hoor people, that men have larger —-*d¥! the mental abilities their greater collective ; of males equipped with muscle mass rather than ff Drains than women, and now, smaller, more efficient by females with their ; : ; brains? As just demon- scientifically proven TS on in this fine strated, it is possible to larger brains. tradition....ssomeone at Douglas use the interpretation of Se College claims that women have one ar oe ae Kumptu’s argument for political conclusion a two reasons. First, her larger brains than men person wants to prop up. premise that biology But arguments based on indicates that the brain one or two unsupported size of one gender is larger than the white groups and/or Jews,Catho- _ scientific” facts” eventually collaps other is simply false. Second, the lics, and liberals. They too refer to when the argument is closely interpretation of the significance of this alleged difference is shallow, self-serving, and political. This said, I will now attempt to support my challenge to her argument. In reading the history of Biology, I have encountered many studies claiming that the cranial capacities, or brain sizes, of two identifiable groups are significantly different. Generally, such studies have been discredited by the scientific com- munity due to sampling, statistical, and interpretive problems (for a review of such studies, and what is wrong with them, please read The Mismeasure of Man by S.J. Gould). As a biologist familiar with these when Yu proved emphatically that she can play modern music too. In the opening movement, ‘With Drums and Pipes,’ Yu made the lower notes of the grand piano reverberate like drums with coarse, heavy beats. In the final movement, ‘The Chase,’she kept up the relentless bass ostinato It is the mark of a great musical performer when the player no longer interprets the composer, but becomes the composer thythm of horses’ hooves while the melody plunged and leapt above. To conclude the program Libby Yu gave a virtuosic performance of Schubert’s ‘Wanderer Fantasy Op.15.’ Although Schubert fits into the 19th century Romantic era of music, Yu made him sound very modern, his rapid scales and arpeggios becoming recklessly dramatic. There were some interesting intervals too, including ninths, which would test the ability of a lesser pianist. The chromatic cranial capacity studies and their flaws, I reject the initial claim that female brains are larger than male brains. The history of science is filled with similar claims about brain size differences and associated nasty interpretations of what such differences reflect. For example, for at least 150 years, white supremacists have argued that the cranial capacity of Caucasians is larger than that of various non- “biological facts” to support a personal social or political philoso- phy. Similar studies have been used to demonstrate that successful capitalists have larger brains than poor people, that men have larger brains than women, and now, carrying on in this fine tradition....someone at Douglas College claims that women have larger brains than men. Ms Kumptu’s interpretation of the “fact” that women have a larger cerebral cortex than men, which enables females to perform certain mental tasks more efficiently than males, is not supported by Biology. Other interpretations based on the passages shimmered and scintil- lated, sometimes soft, sometimes loud, always unpredictable. By the time Yu commenced the final fugue she seemed to have been taken over so completely by the spirit of Schubert that she wa capable of the excesses of his prolonged pyrotechnical finale, bringing cheers from her audi- ence—just as Schubert did in his time. (Apparently 19th century ladies used to swoon at ‘Schubertiads,’ where the com- poser played his own works!) It is the mark of a great music performer when the player no longer interprets the composer, but becomes the composer. With this magical ability already unde her belt at age 22, Libby Yu has an exciting future ahead. Another great talent comes to the Noon at New West stage this week when soprano Nancy Hermiston will sing, accompanied by Ellen Silverman on piano. Hermiston is well-known on the international concert circuit and we will have the chance to hear her in the Performing Arts Theatr on Thursday, February 6 at 12:30pm. The concerts are subsi- dized by Douglas College, so admission is free and open to everyone. same alleged “fact’’ could be dreamed up to support a different political agenda. Some males could] start with the same premise that females have a larger cerebral cortex than males and yet interpret this “fact” to support a different, pre-conceived conclusion. For example, there is agreement that thi cerebral cortex regulates control of emotions. Perhaps women have larger brains than men because the always react emotionally to new situations, rather than examined. The conclusion of an argument based on false premises if worthless. If I may, I'd like to direct a closing comment to all who were im- pressed with Ms Kumptu’s opinior} The size of the brain, like the size o all other organs in the human body, is variable from person to person, and is not set by gender, race, religion, or economic class. Please remember people ... it is not the siz of the organ that you use that is important, it’s how you use it. Allen Bill} Biology Departmen 6 February3 1997 The Other Press