Shis issue: (YW Office hours: Tuesday to Thursday ( | won't save your baby Y The shift to cable TV and beyond And more! Have your voice heard! Contact: Elliot Chan, Opinions Editor M opinions@theotherpress.ca www. theotherpress.ca Sexism 1n theatre » Where is it and why do we care? F" Julia Siedlanowska | Staff Writer he struggle for equality in the world asa woman is something that affects my entire life. It affects the movies I sit through and enjoy, it affects my relationships, and it affects the way I create my art. Art and the question of equality were recently mashed together for me when I was cast in an all-female version of Shakespeare’s The Winter's Tale. For me the experience has taken a microscope to the struggles of women not only in the theatre, but also in life. This being said, it has left me witha far more positive outlook of the community and myself. It has #MaybeSome Men should read before they : left me with hope. Lisa Wolpe, founder of the LA Women’s Shakespeare : Company (LAWSC), directed : the show here in Vancouver : for Classic Chic Productions’ : inaugural play. With over 20 : years experience playing male : characters and directing shows : with all-female casts, she is : known as an expert on gender- : bending. In LAWSC, just as : in this version of The Winter's : Tale, all roles are played by : women. Many will note that : this is a reversal of how things : were done in Shakespeare's : times when little boys were : hired to play all the female : roles, as it was illegal for : women to act on stage. During : the rehearsal process, Wolpe : mentioned on several occasions : that she believed Mary Sidney, : one of the wealthiest and » A response to a response to a response Sharon Miki Humour Editor M humour @theotherpress.ca ast month, I wrote a feature article for the Other Press detailing what I perceive as the dangerous pervasiveness of rape culture. Ona personal level, the article was extremely difficult to write because I knew that it would make people— including those I know, trust, and love—uncomfortable; however, because I felt very strongly about the importance : of addressing the issue of rape culture in order to one day overcome it, I wrote and published the article. In the end, I was proud of it. Then I went to the school... Within days of the article’s printing, the display of the feature at the New Westminster campus was vandalized with the words “4#NOTALLMEN.” While the words were likely written haphazardly—who knows if the calligrapher even read the article?— they still epitomized the very problem that my : article hoped to espouse. I : have been writing for the : Other Press for nearly four : years, and vandalism on our : feature displays is extremely : rare. This might have just : been pen on paper, but it is : something worth noting. While I of course : recognize that this was a : disposable and relatively minor : : act, it still affected me. As : my eyes registered what was : written on my paper, I felt a : familiar lurch in my stomach. : It was the same uncomfortable : : feeling that I felt when a man : I had once dated broke into : my apartment building. After : I told him I no longer wanted : to see him, he knocked on my : most well-educated women of : Shakespeare’s time to be the : true author of his texts. There is : much evidence to support this, : not in the least Shakespeare's : (or whoever that may have : actually been) ability to create : well rounded and sometimes : “outspoken” women. Kyle Moore, after an interview with Wolpe for : Footlights, succinctly described : her reasons for creating all- : female theatre: “[It] disallows : the victim mentality. Women : can squarely face the world, : their energy focussed to a point, : not dissipated in an effort to : avoid attention.” This is something that I know many women struggle : with. In the rehearsal process, : many of the actors playing male : roles had to rid themselves : of some of their feminine : tendencies. “Don't expose all : that emotion,” “Don't hide your : genitals,” and “Lead with your : basket,” were some directions : commonly heard. My character: : exploration led me to experience : : the struggles of growing up asa : male, as well as a female. Now in this production it was easy to feel supported, but : the company itself was created : out of a need that wasn’t being : met in the current world of : theatre. When I asked Christina : : Campbell, Artistic Director : : of Classic Chic Productions, : why she created the company : she said, “The short answer : is because I want to play Iago : and this is the only way I'll ever : beable to do it. The longer : answer is because women : need an avenue to practice our : craft and explore roles outside : of the gender box. We are, #YESALLWOMEN CUE IN ARAPE CULTURE. AND WE WILL CONT] EDIT tee, sleet Santi toe a Dey ea: Se Pape of studenn, housing. hil Sova nay Tidtewes tales pa te by Cia oan Ply - ed ie Rta aati College ncy ¢ SS SSS las tant aging tae tag ang 2am “ete aioei of rapa leo yoga SP Seca Sek a euler ML Mean! door and demanded that I : let him in because he wanted : access to my body. It was the : same feeling that I feel when : strange men on the street yell : much prettier if you [do what I : want you to].” It was the feeling : : of being a woman ina culture : that accepts, on the whole, that : : women’s voices are not as valid. : : Yes, in this culture all women NUE TO UNTIL WE TALK: “Don't expose all that emotion,” “Don't hide your genitals,” and “Lead with your basket” after all, human beings; why : shouldn't we, as actors, be able : to explore the full range of our : humanity?” “That changes with the playwrights before anything : else,” said Colleen Winton, who : plays the Old Shepherd in The : Winter's Tale. “It’s bizarre to me : that there aren’t more stories : out there with women as the : central character, because it’s : mainly women who go to the : theatre.” write The only thing more detrimental than rape culture itself is arguing against it. feel this way at one time or another. The mystery writer’s : response to my article is at me, “Smile! You could be so : troubling, but it can also serve : as areminder that there is : a problem. It’s true: not all : men are rapists and not all : men support rape culture. : The thing, though, is that the : men who do get it recognize : that now is not the time for ): them to assert their innocence. : Now is the time for them : to be women’s allies and to : show through their behaviour : that they are not willing to participate in rape culture. In : response to the graffiti, I think that my Editor-in-Chief, Jacey Gibb, summed it up perfectly: : “True, not all men are rapists, but accept the reality that some are. The only thing more : detrimental than rape culture itself is arguing against it.”