arts // no. § A time-travelling journey through family life > ‘Mirai’ film review Jerrison Oracion Senior Columnist keen he Anime “New Wave ” is happening right now, as we see in the recent film Mirai. Unlike the films of Studio Ghibli, which are part of an earlier style of anime, these more recent anime films try to present something in a new way and show mind-blowing images, as seen in titles like Your Name. and the films of Studio Ponoc. Studio Ponoc’s films in this style include Mary and the Witch's Flower and their next film Modest Heroes (possibly opening in Vancouver next month), which is a series of short films in one film. It all began with Mamoru Hosoda’s 2006 film The Girl Who Leapt Through Time, which presented time travelling as you've never seen it before. Hosoda’s next film Mirai also involves time travelling— except this time, it focuses on aspects of family life. Kun (Jaden Waldman) has a new sister named Mirai, which means future. However, when his mother (Rebecca Hall) and father (John Cho) spend more time with Mirai, Kun feels that they like his new sister more than him. When he goes outside of their front lawn and stands near their tree, he meets several members of his family in other forms including his dog, Yukko (Crispin Freeman), a future version of Mirai (Victoria Grace), and his grandmother’s father (Daniel Dae Kim). They all help Kun get through the challenges of having a sibling. The film doesn't only focus on the relationship between Kun and Mirai. It also portrays Kun’s parents handling two children, their father taking care of them while he is working, Kun’s mother’s relationship with her own mother and her childhood, and Kun learning new experiences. Most of the time the fantasy sequences begin the same way, which can be repetitive. I think they could have started them another way, like cutting scenes and speech differently. We also see a lot of shots of the frame panning up and down between the city of Yokohama and Kun’s house. Mirai includes some scenes that are usually not seen in anime. In the scene where Kun learns to ride a bike, after he makes an attempt, it cuts to black before he tries again. When the film shows something through an iPad, the image looks like something in a video camera in the 1990s, although recent iPads have the retina display so the screen should not be pixilated. Hosoda uses some of his personal experiences to show what the family is going through after Mirai is born. There are a lot of references to the bullet trains and the trains in Japan because Kun likes trains and building train tracks. The last quarter of the film is scary, so it might frighten young children. The station attendant is as creepy as HAL from 2001: A Space Odyssey. The songs in the film by Tamuro Yamashita set the mood of BC artist's painting illustrates explorative nature of a new year » An introspective look at Bita Motamedi’s ‘The Far End’ Naomi Ambrose Staff Writer Fe those of us who seek inspiration for this new year, Bita Motamedi’s The Far End will surely inspire us to explore 2019. Motamedi is a local watercolourist and portrait artist based in Burnaby. Her watercolour painting The Far End was featured in the Federation of Canadian Artists 2016 Juried Exhibition. Through artwork, students can be reminded of their goals and dreams for the coming months. I will use the vast landscape of The Far End as an illustration of how a powerful piece of art can remind us of our promises to ourselves and our potential. The wide blue sky is part of a landscape that is a marvelous sight to behold. The large image of the blue sky that fills up a substantial portion of the painting awakens our curiosity to dream. The wide sky piques our interest by giving us a moment to wonder about the goals we hope to achieve this year. If you have goals and dreams that will push you to reach for the clouds, the mighty blue sky will inspire you to reach higher. The sea is another important feature of the landscape. The wide sea illustrates the different stages of an adventure. Sometimes, an adventure can start off calm, the way the sea in this image appears to be serene. This calmness could help to gradually prepare you for the inevitable action and movement that are often required to pursue new year goals. The sea is also a reminder that exploring the new year may involve travelling across water to visit new or familiar lands. If one of your 2019 goals involves exploring British Columbia, the image of the sea may inspire you to take a trip to Victoria via ferry. Or perhaps the image of the sea propels you to explore the New Westminster Quayside and Queensborough neighborhoods via the New Westminster Q to Q ferry service. There are also images of three tall, leafless trees. These leafless trees reflect theotherpress.ca s e PS a fo} cy ie)! oO E rc] c So s fo} rs fo} ig a the film and end it on a happy note. The track in the beginning of the film sounds like it could have fit with the Queen song, “You're My Best Friend.” Mirai is a mind-blowing experience that shows that having a sibling can be fun. If you'd like to learn more about Mamoru Hosoda, there is a retrospective on his films by ScreenPrism. While Mirai will be released on DVD and Blu-ray soon, if the film gets Best Animated Feature Film in the Academy Awards this year, it might be rereleased in select theatres. explorations may not be immediately filled with swashbuckling, epic adventures. Yes, it’s true that the new year is here. Yes, it’s also true that your new year may start off bare. Nonetheless, even though you may not see the immediate beauty of your 2019 goals, take a moment to observe the presence of the leafless trees as a reminder to continue pursuing your aspirations. The use of a rainless, bright landscape illustrates the luminance that is associated with a new year. Ignite your new year exploration engine with a bright, upbeat feeling. The inclusion of the parked boat on the sand is a reminder that we can start our 2019 exploration at a still point. You can start your journey from a stationary stance. You can also begin your new sojourn using a tool, an object, or a mechanism that may not be fully utilized in the beginning stages. However, as time progresses, you, along with the object that facilitates your journey, will eventually increase your potential to achieve greatness in the new year. Within the galaxy of artwork, interpretations of paintings that reflect explorative aspects of a new year can inspire us to pursue our goals. I hope my interpretation of The Far End can inspire you to ponder and wonder about the — the importance of embracing the new meanings hidden within paintings. year with an open mind. Your new year nh h i ‘The Far End' by Bita Motamedi