OF TATTOOS Maureen J. Bailey “Hey, it’s your bod,” | said when Deedee, my niece, asked what | thought of her plan to get a tattoo. “But do your homework.” “Homework?” she said, surprised. “What do you mean? You’re my Aunt. You’re supposed to say, ‘Don’t you know what kind of people get tattoos?” “| mean | don’t know much about tattooing so check it out and don’t do anything you'll regret. Have you decided what design you want and where to put it? “Well, I’ve been thinking about my Dad and | thought of having the picture engraved on his tombstone tattooed on my shoulder.” Deedee was just eight years old when her Dad, a navy veteran, died. | was there. | know the pain she felt. The navy’s life ring and anchor symbol is engraved on his tombstone. “Are you sure that’s what you want?” | asked. “It sounds morbid to me.” “Pretty sure. I’ve had a lot of coun- selling. | think I’ve dealt with it. | love my Dad and | want the tattoo to show that | love him. I’m going to redesign part of it, though.’ Two years and many drafts later, Deedee has decided to put off getting tattooed. Like many people, she found herself wrestling with confusion. Tattooing, an ancient form of physical body alteration, is as silent and mystical as it is overt and raucous. The practice of tattooing is embedded in controversy. Are tattooed people deviants, or not? Dennis Rodman, the 35-going-on- 17-year-old, 6 foot 8 inch fluorescent- haired forward for the Chicago Bulls, leads the NBA in rebounds and tattoos—when he’s not under suspen- sion, that is. Actor Johnny Depp trashes his skin as easily as he does a hotel room. Scantily clad Cher is filmed from behind to catch the designs on her butt. In contrast to the defiance of the stars, the cashier at my local garden shop sports a tattoo of a guitar in brown and gold hues on her left shoulder. Her face glows as she tells customers, “I can’t imagine a day in my life when | won’t be in love with my guitar.” Reasons for wanting a tattoo are numerous; the psycho-pathology behind them varies greatly from person to person. Emphasis today on creativ- ity and improved techniques has made tattoos less of a fad and more of an artwork, often luring otherwise reticent buyers into the market. But tattoos are not for everyone. As one tattooist said, “Before it appears on the skin it lives in the mind.” So how do you make, or help someone else make, the decision to get a tattoo? 1. Give yourself an attitude check. Prisoners are known to practice self- tattooing; hence, the term “jailhouse tattoo” came to be. It’s a way of showing they have control in an environment where guards control their every move. Rebelliousness and a need for control are, however, not the best reasons for marring your beauty. They are the reasons behind a lot of regrettable tattoos, though. It’s a lot easier to change your moods, worldviews and opinions than it is to change tattoos, so think twice before carving them into your flesh. Ask yourself why you want a tattoo, what it means to you, and if a tattoo is the best form of self-expression to suit your purpose. lf you find tattooing incomprehensi- ble and someone confides to you that he or she wants to get a tattoo, remember that an angry “Don’t you know what kind of people get tattoos?” tends to alienate, not help. Until that moment you liked that person, right? So don’t judge. Offer to go along and help check out tattoo shops and collect information. It could challenge your traditional views. But watch it! You may come away wearing one yourself.