ARTS& ENTERTAINMENT reach his or her ful potential ey Are you ready to reach your full potential _ At MacEwan, it’s up to you. We give you difference. You decide how you'd like Graduate from NaoEwan with a four Youth Care degree — the first of its transfer to MacEwan and prepare fi care Pee or cule into es: Blast from the Past: Young Frankenstein Iain W. Reeve, A&E Editor Before History of the World, Spaceballs, Robin Hood: Men in Tights, and the horrible mess that was Dracula: Dead and Loving It, there was the magic year of 1974 when Mel Brooks wrote and directed two of the best comedies ever. The racially risqué Blazing Saddles and the utterly outrageous horror parody Young Frankenstein. Based, of course, on the classic Boris Karloff era of Frankenstein films, Young Frankenstein fol- lows the journey of Doctor Frederick Frankenstein, grandson of the psychotic Victor Frankenstein who attempted to create life from dismembered corpses. Journeying back to the labo- ratory where the horrid experiment took place Frederick is drawn, at first unwillingly, down the same path as his grandfather to create life most unnatural. Doesn’t sound funny? Well it is! Like most Brooks films, this film relies on classic slapstick, running gags, sight gags, play on words, and clever timing. This is screen comedy in its purest form. But with a wide range of comedy that will ensure just about everyone will have at least one or two good rolls on the floor, this is cer- tainly one of Brooks’ best. The actors make the show, however. From Madeline Kahn’s great turn as Fred’s flippant lover Elizabeth, to his servants, Igor the hunchback with the moving hump and the very well endowed Inga, this is a solid cast. Special nod goes to Peter Boyle as The Monster, who is hilarious, terrifying, and even cute whenever the need arises. But, as with every film he is in, Gene Wilder steals the show. His comic genius is unparalleled. Whether he is spinning around a secret door bookcase, puttin’ on the ritz, stabbing himself in the leg with a scalpel, or bringing a bunch of dead body parts to life, his energy, timing, and commitment is almost unequaled in comedy history. If you like any Mel Brooks films, this is a must see. It is rivaled only by the original The Producers in its sheer comedic depth and frequency. If you hate Mel Brooks, give it a shot. You may be pleasantly surprised. MacEwANn www.MacEwan.ca