Pop Culture Purchases J Get Guilty A.C. Newman As the lead songwriter for Vancouver’s The New Pornographers, A.C. Newman has become widely respected for the poppy music and clever lyrics that have made the band so successful. His second solo album, coming five years after 2004’s The Slow Wonder, showcases more of the same. The differences between this album and a New Pornographers album are that it loses some (but not all) of the natural fun the songs by the group have, and the music is more sparse without the’ Pornographers stable of musicians. This really works well on “There Are Maybe Ten or Twelve,” “Get Guilty,” and “Prophets,” which are songs that wouldn’t have turned out as well if they were being delivered by a group. “Submarines of Stockholm” will take several listens to figure out what he’s saying, but it’s worth it when the song clicks. A.C. Newman is a very gifted songwriter and this album just may be his best work yet. — Mark Fisher SIGG Water bottles The purchase of bottled water is discouraged in many cities worldwide, and some, such as Liverpool, have gone so far as to ban their purchase completely. In an era of increasing environmental awareness, consumers are switching to a more sustainable choice: the reusable water bottle. Swiss company, SIGG, has ingeniously designed a wide range of highly fashionable, functional, and extremely durable aluminum water bottles. Crafted with the environment in mind, these bottles are made to last and will serve for many years to come, but when their retirement time finally does come, they are 100% recyclable! Staying hydrated has never been so trendy. So ditch the plastic, and pick up yourself up a SIGG today! —Shawna Swatez Becoming Holyfield Evander Holyfield and Lee Gruenfeld One of the best and most candid athletic memoirs that I’ve read in a long time, Becoming Holyfield is the story of one of boxing’s most legendary figures, four-time World Heavyweight Champion Evander Holyfield. Holyfield, who wrote the book with Lee Gruenfeld, tells a very compelling story about his early years and eventual rise to stardom as a fighter who became among the best in the world for multiple weight classes. Throughout his career, Holyfield has been one of the central figures in some of boxing’s greatest and most controversial moments. Holyfield provides his own personal insight into his wars with Muhammad Quwi over the cruiserweight championship, his legendary trilogy of bouts with Riddick Bowe and of course his infamous feud with Mike Tyson. If you’re looking for a terrific account and stories about boxing’s biggest moments, then _| Becoming Holyfield is one of the best books you could read. —Garth McLennan ee BY im wh Alone Il Rivers Cuomo Rivers Cuomo has put together yet another solo album consisting of old Weezer demos. This time, though, there is more of a defined theme to the album. Instead of focusing on random demos he has put them into a compilation of sorts. This collection is intended to represent his worst time on the road which happens to be his tour with Weezer (between Blue Album and Pinkerton) when he was feeling particularly, you guessed it, alone. This album is actually better than his first one; however, it suffers as he seems to be trying to make it almost “too depressing” in his attempt to convey what he was feeling at the time. Despite this aspect of the album, the tunes are surprisingly upbeat, which keeps it from being one long, dreary listen. — Matthew Steinbach Pind. Oh, Dear Lord, not another single from U2! Irish pop group retains their status as lamest band ever By Jay Schreiber ‘ N y hat could be more annoying than a past- their-prime new wave group that can’t seem to get the picture? The answer of course is U2, a past-their-prime new wave group with sketchy songwriting and overrated tours that still doesn’t get the picture. The music scene as of late has become disgustingly poppy with a focus on delivery and overlooking quality. Amidst all the groups that could be listed here, U2 comes to the forefront as a ridiculously overhyped and overplayed band. Their tours sell out arenas (two shows at GM Place in 460 seconds) and they have played to shows of over 200,000 people, including a special performance for president Obama at his inauguration on January 20". Why? What makes this group so impressive that they get to play for world leaders and keep their spot as Ireland’s number three export right behind potatoes and Guinness? With the release of their latest single, “Get on Your Boots” for their upcoming album No Line on the Horizon, I find myself needing this question answered like George Bush needs speech therapy. Bono’s vocals are usually relatively monotone, with a very small range, and sometimes sound like the drunken moan of a dying whale. The Edge, Axe-man for the group, plays a minimalist style of guitar with no real solos that for some reason or another earned him the #24 spot on Rolling Stone’s greatest guitarists of all time. Adam Clayton and Larry Mullen Jr. keep rhythm for the group as the bass and drums in U2, generally keeping a straight 4/4 beat and sticking to the root notes. — U2 has gained success after being associated with such British new wave acts the Police and Billy Idol. The release of their albums War and The Joshua Tree, both decent albums for their time, made them a household name. However, since 1990, their music has turned into crappy radio filler that continues to make them millions. In 1985, U2 was famous in helping to orchestrate Live Aid and since then have been self-appointed spokesmen for making our world a more humane place. While that is noble and all, it has nothing to do with their music; for example, what the hell does saving the world have to do with getting on your boots and vertigo? Songs like that don’t contain any artistic value or represent their outlook on the world and every time I hear them, I feel like clubbing a baby seal just out of spite! Why doesn’t U2 try anymore? Hell, Why don’t they change their musical style completely and try something different? This band has gone on for 20 years too long, and need to seriously consider laying off the ego. At a concert in Scotland recently, Bono clapped his hands above his head, and stated, “Every time I clap my hands, another child in Africa dies.” From the back of the auditorium, a Scottish man yelled out, “Then stop clapping your bloody hands!” After listening, or should I say putting up with, the latest single from U2, I’ve come to the conclusion that maybe it’s about time we all stopped clapping our hands... 19